Song in the Silence
Lanen Kaelar has longed to explore the world since she was a small girl because she was abandoned by her travelling mother. When her father dies, she is determined to go to the Dragon Isles where no ship has returned from in the last 20 years. Not to be daunted, she goes anyway.
Apparently (according to the blurb) she has been exposed to the most horrible family life ever growing up. I was expecting her to be beaten every night and have to sleep on the hearth rug. Instead she just seemed not to fit in. Um, ok, getting married is definitely not everyone’s cup of tea and your father not loving you much is painful, but you have a loving farm hand to help you out! When she sets out on her trip, it’s not like she’s being held back.
There is a lot of talking and not much action. Sure, they take out a too-friendly stableman which prompts a long story assisted by plenty of ale. But no action! No forward motion! Sigh. Nothing enough here to keep my attention.
This was a too-fluffy novel with an unconvincing story-line. For something that I was promised to have dragons in, the first third of the novel had no dragons. No plot progression much either. So I abandoned this novel in the interest of reading something else with a bit more pizzaz. I could afford to be picky, there was a whole bookshelf there for the reading!
The Chosen Ones
The Nazi-run “Spiegelgrund clinic was apparently well-intentioned: both a reform school for lost, wayward boys and girls, and a clinic for chronically ill or malformed children.” Instead, this novel exposes the truth of what happened behind those walls – children tortured and left to cry before being allowed to get sick and medicated to death.
I picked up this novel several times. I really wanted to love it, I thought that the content was fascinating when I read the blurb. However, the execution completely floored me. rare sporadic speech was interspersed throughout text with little to no paragraphing.
One of the things that seriously confused me was the constant transitions between different forms of names. I could cope with the Viennese names, but I couldn’t cope with the crazy swapping between nicknames, last names and first names. Or no name at all, and just a description of their physical or mental state at the time (which was unreliable anyway).
This novel had so much potential because I was very interested in the subject matter. I wanted to love it, which is why I let it percolate on its shelf for 2 years and why it survived two novel cleanouts. I’m now going to release it on Book Crossing, even my mom wasn’t attracted to reading it.
This novel had the positive potential of Max but instead ended up in my could-not-complete pile with I am Sasha. 1 star from me. I couldn’t finish it. Occasionally I can tolerate this kind of abstract writing but I just couldn’t.
Allen & Unwin | May 2016 | AU$32.99 | paperback
See What I Have Done
A true mystery novel, Lizzie Borden took an ax and brutally murdered her father and step-mother. But is it true? This is what this fiction novel explores from the other people’s perspectives at the time.
The dust jacket is written as if a 32-year-old woman living at home is abnormal, but truly it isn’t especially for those days. She isn’t married. I also think her sister was a complete idiot. Ok, your mother has trusted you to look after your sister, but at some point you must get your own life. From what I learnt about the sisters in this novel, Lizzie should have been institutionalized.
I never connected with any of the characters, I got confused between all the time jumps and the ending was completely unsatisfactory. I get that its based on a true story, and so there is no resolution – but that’s what fiction is all about! Resolving storylines and helping the reader to understand what is going on. Instead I met a bunch of characters that I didn’t care about, including Lizzie’s parents, and thus I couldn’t care less that they had died, or had hope for someone to be punished for the crime.
I HATED this novel. I persevered to the end, but it wasn’t worth my time. It’s not worth your time either. I finished it, yes, but that is because I was hoping for deliverance at the end by the creepy guy in the shadows. So since I finished it, I should give it 2 stars, but I’m not. 1 star.
Hachette Australia | 1st April 2017 | AU$32.99 | paperback
As She Fades
Vale and her boyfriend Crawford are in a horrific accident the night of their high school graduation. Crawford is in a coma and Vale needs to make a decision to move on or not. When she goes to college she discovers that life can be very different.
Let me start out by saying first that this novel was terrible. Really terrible. The first half is lovely: the (seeming) main character developed well and I enjoyed the writing style. Unfortunately half way through the whole picture changed and I was left not wanting to finish the novel. I honestly no longer cared about anything that happened to Vale because her life was so boring and her real self so pathetic. Not to mention that Slate suddenly turned into a pile of goo.
What’s with the title? I don’t see anyone fading except the uncle, and even he makes it for most of the time! His totally inappropriate banter tries valiantly to save the novel but it can’t make up for the rest of the characters.
1 star from me. Don’t waste your time, because there are so many other good things out there. I stopped reading and was sad I had devoted time to the first half of the novel – if I had known what would transpire I would have skipped it.
Pan Macmillan | 2nd January 2018 | AU $14.99 | paperback
After She’s Gone
Cassie’s sister Allie has gone missing so Cassie checks herself out of the psychiatry ward to find her. Cassie is still suffering from nightmares and flashbacks, and doesn’t even know how to look after herself. If there was ever a girl in need of a Hero, it’s Cassie, Allie and their famous mother. Can they find Allie in time? Does Allie even want to be found?
Oh dear. This novel sat on my shelf for about 2 years before I picked it up. I just wasn’t feeling another strange disappearance or mystery after try not to breathe and Painkiller. That’s the problem with copy-cat authors that produce all the novels that are compared to Girl on the Train or The Girl with the Dragon Tattoo. I get that they must sell well, and thus it’s not really the authors’ faults they have to write that stuff as no doubt publishers pushing for it.
Um Hollywood glamour (or rather just hints at it being important but it’s really not) does not make a novel! Especially for someone who doesn’t really follow or understand Hollywood the way a homegrown North American might. I found myself completely and utterly confused most of the time (ringing any bells like Ankaran Immersion?). The protagonist was an unreliable narrator, which would have been fine if everything else in the plot hadn’t been jumbled up. And then the other characters were also confusing as hell with a healthy does of insanity themselves. There was no redemption for anyone. Anyone heard of counselling?
I ended up reading about 1/6 of the novel before I started skipping forwards to try to get to a meaty good bit! But alas, I found myself just skipping all the way to the end where, because I hadn’t actually connected properly to any of the characters, I was utterly indifferent to who the baddie was and was kind of hoping that they all died!
1 star from me. Don’t bother attempting it.
Hachette Australia | 1st February 2016 | AU$29.99 | paperback
I’m a Gangsta yo, I’m a Gangsta! Wait, no, wrong novel. Martin gets by on his good looks and charm, trouble making his way effortlessly through the gangs at school. Accepting a ride with the wrong friend and getting into a police chase is bad news – bad news for his FACE.
Oh gosh. This was terrible. I skimmed the first half so I could get to where the FACE business actually happened. Then I was so disappointed in Martin’s eventual internal monologue about his face that I just dropped the book. I could have even dropped it in the pool, it was that terrible! The supporting characters might have actually had something to do in the second half of the novel, but I wasn’t waiting around to find out.
Nice to see a female character that won’t take no Shiz, but seriously, do you have to make it so darn obvious? Yes, we get it, she’s amazing and a ‘real woman’ but no need to keep drumming it in. Wow, she’s a human girl! And she too has feelings! I would hope that a teenage boy reading this novel could separate out the fact that if a girl has to act like that to get you to do the right thing, you’re doing something wrong!
I’m sure there is an audience out there for this novel, but it’s not me, and I’m pretty sure that it’s not other Australians (strangely enough given the publisher). It’s set in London with gangs, which is something that doesn’t feature in the current young Australian’s highschool years as far as I know! Maybe it is more prevalent in Sydney since I’m a Melbournite at the moment?
I couldn’t face Gansta Rap by the same author, so I’m not sure what made me think that I could go for this one. I took it along for holiday reading so I would at least attempt it. I’ll save you the trouble – don’t even attempt it. 1 star from me.
Bloomsbury | 1st March 2018 | AU $14.99 | paperback
Hunger (A Memoir of (My) Body)
After a horrific gang rape, the only way Roxanne knows how to cope is to make herself fat and undesirable to men. This novel is a story of how she tried to come to terms with the rape by herself, and also how she mostly recovered from her eating disorder(s) that occurred as a result of her traumatic experience.
Please keep in mind that I am not discounting or demeaning the author’s experiences at all. This is a review of the writing style, and I just couldn’t get into it. For example it is kind of present tense, and also past tense.
I know I am going to be ripped into for saying this, but this wasn’t a good memoir and I didn’t enjoy it at all. In fact, I didn’t finish it. I at least finished Patient 71, the last novel that generated contentious comments now. It’s non-fiction, but I’d give it 1 star.
Sparrow has been consigned to prison, sent out on boot camp with a bunch of crazies. When the boat just happens to explode, Sparrow makes his break for shore and freedom. But is freedom and isolation what he wants?
Flicking back and forth between Sparrow’s present and past, this novel had the potential to endlessly entertain a reader. Not me though. I couldn’t finish reading it. Sparrow’s constant internal monologue that was supposed to take the place of a spoken voice set me on edge.
It reminds me of Lord of the Flies, except it is just a wordless boy who has escaped into the forest with basically no survival skills. Sorry Sparrow, but I don’t feel sorry for you. I don’t empathize with you as a character. I much preferred Thirst, although it also lacked reality.
You want a nice novel with selective mutism? Perhaps the infamous So Much to Tell You, or the more recent A Quiet Kind of Thunder will take your fancy. Don’t bother with this novel. 1 star.
Allen & Unwin | 26th July 2017 | AU$19.99 | paperback
Evie O’Neill has freed herself inadvertently from her boring old hometown of Ohio by telling too much of the truth. Now in New York, she has the run of the town – but Naughty John is on a occult killing spree that she has to prevent.
I got almost half-way through this novel, and nothing had happened. No-one I cared about was in real danger, and the Beast didn’t actually feel like a real threat for ‘normal’ people. From what I read from the blurb I think the myriad of characters eventually team up? But I didn’t see any of that, and instead I found myself again wondering why I cared about anyone’s outcome.
Let’s be honest here. I was probably never going to like a novel that was set in the 1920s, where the main character was a drunk flapper girl who didn’t appreciate the gift she had. I like a touch of the supernatural as much as the next person, and I realise that not everyone has morals when using a gift. But honestly? Evvie is an idiot.
I received the third novel of this series for review from Allen and Unwin, but I will not be reading it. Don’t waste your time on this novel either. DNF – 1 star.
North Korea released a virus that turns people into Drifters, or essentially, Zombies. Some people are immune, or have been retrained in time. All technology has been lost – except one plane out of there. I didn’t hang around long enough to find out if they even left.
“Deliciously dark prose”? Try incomprehensibly dark plot line. I tried desperately to connect with any of the characters, but instead found them falling out of my mind faster than a Drifter forgot their families. Skipping around different perspectives gives this novel nothing worthwhile, and just left me confused and irritated. There seemed to be no forwards plot that I could identify in the first half of the novel, and after that I gave up.
Looking for a virus/biohazard take-over-the-world thriller? Try SKITTER or The Ego Cluster. Want something with Zombies? Try The Rains (review to come). This one is probably not going to be for you unless you enjoy incomprehensible plots with characters that you can’t connect with. I couldn’t finish this novel. 1 star.
Allen & Unwin | 31st October 2017 | AU$29.99 | paperback