Can I Steal You for a Second?
Jodi McAlister
Amanda is keen to get over her last relationship – surely a break in a house full of other women and a single Romeo is the way to go? She has nothing to lose and everything to gain from a potential relationship. Or maybe she’ll find love? There’s two Dylans to choose from after all!
Mandie is such a sympathetic character. She has low self-esteem and her list of things that she is good at does at least get a little longer during the course of the book. Unfortunately, I didn’t really feel like she had made real progress. She’s definitely just fallen for a person too quickly. Being trapped with someone during COVID lockdowns in Melbourne forces quick relationships (a great example is 56 days if you are looking for a psychological thriller).
I think that the author creates understandable characters but I am left wanting more substance. I know it’s just ‘fluffy romance’ and I should be grateful for non-Caucasian, non-heteronormative relationships at all, but I wanted to see more convincing character growth in general. The marketing brief is so proud that the author is a Lecturer, rather than ‘just’ a romance writing – but I still expected more.
This book is to be read in parallel with Here for the Right Reasons. I actually think you should read this one first, as there would be less spoilers that way (but of course there’s still a happily ever after). I’ve read another romance book from this author (Valentine), and it’s clear the author has a ‘type’. But the end of this one promises that there will also be a Lily and Murray book. WHY? Move on, deliver me a new story!
I’m giving this four stars, which is perhaps a bit generous. I did definitely have some real laugh out loud moments (not a spelt-out lol) and there were several bits where I needed to share the text with someone else! Worth reading, but perhaps not worth owning unless you want to relive reality TV during a lockdown more than once.
Simon and Schuster | 5th April 2023 | AU$22.99 | paperback
This is a pretty good book but not as riveting as his others. Like Lencioni’s other books, the majority of the book is told as a fable. You get invested in the characters and it’s realistic and relatable. For this particular book we see two CEOs at competing firms. You can’t help but feel sorry for them both and want them both to succeed despite them being direct competitors.
Aw, how cute! I liked this novel because the main character was fat, and didn’t care, and was a lesbian, and didn’t care. She even had the freedom to do that! But she definitely fell into the category that she still wanted to hide some of her identity. The author didn’t harp on about her being queer or anything, which was quite refreshing. I did however feel frustrated with how stupid Cass was sometimes. I’m really not sure how you can get from being a B student to a D in the space of a term without twigging that there’s something wrong…
I liked Sean! Poor guy. Honestly the title and the cover made me feel a bit worried about hating it, but I empathised with Sean quite well. I was the same as Sean when Australia decided to waste money on whether we should let gay people marry or not. There’s plenty of perspectives to choose from here, and the author has done a great job of illuminating just some of the problematic attitudes in Australia. I hope we’ve come a lot further than 2017, but I’m honestly not sure.
I found the illnesses that weren’t the fever particularly interesting. It seems like the moonflowers were good for the fever – but that was it! So Tessa’s experience as an apothecary was useful in more than one regard. I find it so hard to believe that people are still buying solutions that are useless – but I guess some people need to buy hope (COVID19 quacks anyone?)
What was good about this novel was the internal anguish of Milo trying to reconcile his homosexuality and his religious beliefs. It’s impressive how much internalised homophobia Milo had even after a single summer of feeling feelings for the wrong gender. Milo is very distressed, but also an idiot.
I was so invested in Georgina, and she felt like a real character with some interesting flaws. Most of the time I found myself genuinely laughing, rather than thking ‘what an idiot’. Let me say though that perhaps the reason I understood how Georgina treated her friends is because I viewed her through a lens of trauma. Georgina just doesn’t seem to have processed her own father’s death. Thus, her relationships and the horrible way she treats her family and friends is, if not justified, certainly understandable.
Interspersed with storytelling from Biju, the narrative moves smoothly through the first year of Peojing’s time in Australia. The prose is lyrical, and you can only hope that it’s an easy and enjoyable read for younger readers. It certainly was for me! I enjoyed it as something light and refreshing inbetween all the non-fiction I’ve been enjoying at the moment.
I listened to this book as an audio book. It seemed to take quite a while to get into it. For a book on building a story and getting you hooked into it, it really didn’t at all! It took a bit over an hour before it started picking up. Lucky for it, I was in the car on a long trip so I kept listening to it. The rest of the book was pretty good. There were a few slow points but overall it was really great.
I’m a little mixed on this review. There were some good parts and some bad. The book takes you through the