Out of Heart
Irfan Master
Adam is the darkness, joined only to the rest of the world by a thread, bound within his own drawings and head, barely speaking. His sister doesn’t speak, and neither does his mother or grandfather. After his grandfather dies and donates his heart to William, William becomes a fixture in Adam’s house and life.
This novel felt disjointed and fast. Somehow, 7 months passed and I didn’t notice. There’s hardly enough pages in there for any details. Trying to fit in an abuse/transplant/love/damage storyline was too much, and instead I was left feeling cheated about the whole lot.
I felt disconnected from Adam, and couldn’t even get excited about the fact that he grew a spine somewhere between his childhood (where it wasn’t his fault and it was safer not to have one) and now. Simply, even the violent scenes left me cold, because the prose wasn’t compelling, and I felt distant the whole time. So did Adam, but it’s hard for me to care to keep reading….
The word plays that Adam uses could have been used even more effectively, or perhaps some more images that he drew. Anything! I actually really loved the idea of what he drew on the trains, but it wasn’t clear at all what the point was – if you can only see it from 24 floors in the air! That being said, yet another tortured artist student novel right here.
Does Farah not go to school? What’s wrong with doing dot-to-dots? How long has it been? School seems to feature so little in anything, despite readers listening through a set of school parent-teacher meetings. What are the two jobs Adam’s mom works? How does Adam get to work on time? Where do they live?
Something I hate, and maybe it’s just because I perhaps need glasses, is when thoughts or memories in a novel are included in a special type of script that isn’t just printed text. It almost guarentees I will dislike the novel,
Nothing remarkable to see here. There wasn’t enough substance, it took me about 1 hour to read it, and I didn’t feel like I had gained anything after it because I hadn’t become attached to the characters. I’m giving it 2 stars – I’m not feeling that kindly about it because I have many other novels to read that are (hopefully) way more exciting. I think I need to be more wary of Hot Key books (such as Fly on the Wall), no matter how intriguing they sound.
Allen & Unwin | 28th June 2017 | AU$16.99 | paperback