Verity has unexpected drownings in daylight and her not-dead mother to contend with, oh, and she’s just had a baby. But never mind, she’s just got to keep pressing forwards. With family coming out of the woodwork faster than she can keep track, can Verity protect her immediate family and keep her Normal partner happy?
I’d like to know, even with Wanda’s magic, why Verity is up and about after such a traumatic birth pretty much 2 days later. Any baby that comes out in the space of an hour is going to rip some serious damage. Or maybe the time passed faster than I thought, which it might have because I had no sense of timing throughout the whole novel.
I don’t really understand Verity’s role. Why does she feel this compulsion to help out the Weyrd? Maybe that is something that is covered in the first novel, but she continually keeps ‘fixing things’ for them, despite them abandoning her, which is a major theme of this novel. Also, does she get paid for this role? I have trouble understanding how she normally functions. I resisted reading this novel because I knew it was a sequel, but I honestly think that that is the least of its problems.
It’s a struggle to finish this novel, and I’m still not sure I will. The pacing is incredibly slow, and the storyline very predictable. Everything always overlaps in these novels, and so once one ‘puzzle’ is solved, the rest fall in line for the reader, if not Verity. I have other attractive things to read instead, and it’s a serious backlog because I just discovered a stash of novels I had wondered where they got to, but couldn’t find them.
Honestly, all the f-words? They don’t do anything for me. Verity uses them so often that their potential impact is negligible. Using more sparingly, they might actually convey a sense of urgency. There’s some nice lines that could have been worth laughing about, such as Verity’s daughter not liking decanted breast milk! Yet they are delivered so flatly that my reaction was more meh, nice try.
I’m giving this 2 stars. Surely it appeals to some audiences, but it just doesn’t appeal to me. Summing up: it was too slow, too laced with pointless cuss-words (and I’m not a puritan!) and too predictable. I’d recommend as a light read, although not fantasy based, Turbo Twenty-Three.
Hachette Australia | 11th July 2017 | AU $32.99 | paperback