Ruth is in prison for murder and is awaiting hanging. Dorothea is a well bred woman with a fascination for phrenology (skull physiology that predicts character traits). When Dorothea sets out to map Ruth’s skull she is forced to decide whether she believes in Ruth’s truthfulness or her own ‘scientific’ mind.
The detailed gore at the beginning of the novel was cringe worthy and my feeling was that it was unnecessary. The torture might have been intended to make things feel Gothic and gloomy, but instead I just felt revulsion. I also couldn’t work out why I should care about David and Thomas. What were the men’s purposes in this novel?
It’s such a pity. The cover of this book was such that I expected a peacock to feature. Instead this felt a little like symbolism gone wild. The corset! The corset! And in the end, is it even what she thought it was? The reader and Dotty seem to move towards believing in magic, but the ending makes you questions that – and not in a good way.
About halfway through this novel I thought to myself that the ending would make or break the novel. I didn’t know what would constitute a good ending, but I knew it needed one. The ending I received however was disappointing and unsatisfying and made no sense to me. Will she recover? Was Ruth actually hanged?
Other reviewers are saying this is historical fiction, and I’m saying it might be. But there are plenty of other sources of historical fiction that are better focused and with better endings. 2 stars from me because I finished it, but I wish I hadn’t done so because it left a bad taste in my mouth.
Bloomsbury | 1st November 2018 | AU$29.99 | paperback