Cinderella is Dead
Sophia has been preparing for her debut for her whole life. Or at least, her parents have been trying to prepare her. Every girl may go to the ball three times and be chosen by a man – or her life will be forfeit. Sophia can see through the facade though, and she doesn’t want to be chosen by a man. She wants to be with Erin.
I liked the new twist on the Cinderella fairytale, but some elements left me feeling disappointed and short changed. I was happy that I had a lesbian protagonist. I was happy that she didn’t instantly fall for her new female friend… but that she lusted over her. Who doesn’t want something that is forbidden? I feel like that love was really just lust, and that’s far more preferable to insta-love.
I would like to know where Sophia got her blackness from. The kingdom seems tiny and racially white, so where did she come from? I get that she doesn’t fit in, and I get that that resonates with many people of colour at the moment. My problem is that the world that Bayron has built in this novel is too small to have more than one race of people. The ‘Kingdom’ itself just seems to consist of one large town?
I didn’t understand the ending with the Fairy Godmother. What did she get out of the status quo? Living forever doesn’t seem like a fabulous thing to me, particularly if you’re isolated. Also, the ending made it seem like if you can just topple the Man at the Top, everything will be breezy. It’s not that easy though. You can’t just make a hole in the power structure at the top, and expect everyone to come to the new system. I wanted to see more – how will this new way of living go? What other countries might they learn about?
Ultimately the ending let me down and I kind of regretted spending my time reading it. A light-hearted and unfulfilling novel. I can only hope that this author’s worldbuilding skills improve for her future novels – and if she’s still writing queer fiction, I’ll be reading it!
Bloomsbury | 1st September 2020 | AU$15.99 | paperback