Euphoria Kids
Alison Evans
Iris has never had friends before, other than the faeries that live in their backyard. Babs has trouble staying visible thanks to the witch who cursed her. The boy hasn’t found a real name yet. Can magic and friendship keep them safe?
I’m not really sure how old these kids are. Teenagers? I thought that I read somewhere that they are in junior high, but they certainly seem to have a lot of freedom in school for that. I’m a great believer in the power of education, and they don’t seem to spend much time at school! The only class they seem to do is art, and while I think it’s really important for expression, it’s not the only way to express yourself.
The perspective swaps between Babs and Iris were made doubly confusing once the two humans became three humans, and the pronoun ‘they’ was used for both Iris and the three of them. I had trouble remembering which one was Iris (neutral gender plant sprout with witch potential) and which was Babs (trans-girl fire spirit that disappears with witch mother?). ‘The boy’ doesn’t even get a name until a powerful witch helps him find it! And what is up with his dad? I couldn’t decide if the dad was accepting or not, because the boy doesn’t always wear his binder (take with a grain of salt and always do your research before getting a binder).
Having three gender queer teens in a single year level, let alone school, is very rare. That alone would have been enough for the novel to process. Then make one of them a plant spirit that talks to faeries with two mothers (one of which took time off work to look after her while she was a plant/seed baby?), and the other a cursed fire spirit. Just for good measure, toss in a cafe owner/worker who is also trans and a trans-boy without a name.
What does it mean that Babs is made of fire? Can someone be more specific for me please? So much about this novel seemed unfinished, and I don’t think it was just because I had an ARC copy. I think too many themes and too much was crammed in.
I didn’t like the way Babs’ depression was treated. Ok, so they went to the special understanding GP, but then they just talked about it, and she was magically cured almost immediately? Talk about setting unrealistic expectations. Oh yes, also that the boy is able to just go to the GP to get a script to stop his periods. In my experience, it’s never that easy.
I wanted to love this novel, for the fact that it is a #ownvoices novel. But I couldn’t. I at least finished it but it was a struggle. It wont be coming home with me from vacation and I’m not giving it to any gender queer people I know.

Echo Publishing | 1st March 2020 | AU$19.99 | paperback








This book begins quite slowly and takes a few chapters to really become immersive. The aspects of the book set in the ‘current time’ never really interested me, and I gave up on the book once before being able to reach the more exciting parts. This was a theme throughout my reading of the book; the events set in the present didn’t seem as engaging as those set in the past. Even when dramatic events appeared to be occurring, I never managed to find myself excited in them. I believe the main reason for this was that most of the book is set in the past. This meant that there were only a few pages of present time every few chapters, which was not enough to get to know the characters or immerse myself in the storyline. I also found myself forgetting the events occurring in the present, which often left me confused.
I read this trilogy in very short order – so short that I’m not going to bother reviewing the individual novels. That being said ,the first novel was a standout in my mind, while the other two novels dropped off in quality and consistency.
I’m sorry. I tried to love this novel because someone I knew recommended it as superior to a Sanderson novel. My problem was that the protagonist just wasn’t very smart and the story not that gripping. It’s a pretty typical male-focused fantasy with only a token female or two. I’m used to variety in my fantasy now, so this was unlikely to meet my expectations.
This has no plot, and yet Juliet manages to get herself into trouble. She makes every bad decision that she possibly can, and forgives far more easily than I wanted her to. In a way that perhaps makes her more relatable, yet somehow things just work out for her in the end. Juliet can somehow do no wrong? Her flow-of-consciousness interspersed with passages of Harlowe’s doctrine didn’t do any favours to the feeling that I was just floating and being told the story, not shown it.
I laughed, I cried, and I suffered with Simone. Her character came leaping out of the pages at me and then I spent the rest of my time absorbed in her life. I couldn’t put the novel down. I couldn’t work out who the ‘baddie’ was either, and I was pleasantly surprised by the ending.
I was blown away by
I received this novel in early September, and it shouldn’t have taken me more than a month to review. I found myself almost equally repulsed and enjoying the novel, and equally believing and disbelieving at the girls’ behaviour. There were plenty of twists, and magic going on, so many that to review the book in full would spoil them. That being said…
Rainbow Rowell’s novels are usually a 100% love from me (
I found myself disappointed in the level of depth in this novel. Ok, the prom is cancelled because the protagonist wants to take a same-sex partner. Then it’s not cancelled, because Broadway stars come to save the day (they are of course pushing their own agenda). Maybe it’s because I’ve seen this concept basically done before by Julie Anne Peters