Review: Cassandra Clare & Holly Black – The Iron Trial

The Iron Trial
Cassandra Clare & Holly Black

Callum doesn’t know what he is, or why he’s at the Magisterium. But he knows he doesn’t want to go somewhere that there are eyeless fish waiting to eat him, and there is magic running rampart that is the same as that which killed his mother.

Apparently this is a middle grade series, but maybe that was made it so pleasant to listen to. Each word was perfectly chosen, and I didn’t find myself impatiently waiting the narrator to move through the scenes.

I loved the reader, his deep grumbly voice was perfect for Master Rufus. I did feel like sometimes I didn’t know who was speaking, but it was entirely context dependant. I think some of the text could have become readily boring, but because it was read and I didn’t have a perfect memory of the sentence structures, it worked for me. This was especially true of the sand-herding exercises.

This could feel like a rip-off of Harry Potter, but it really isn’t. The dangers feel much more real, and they are consistent, like the authors have actually worked out what the complete series is going to be like. Also Harry is always a hero, and he’s always nice to everyone. Doesn’t that get a bit cloying at times?
Callum doesn’t make you like him. And he seems to be going out of his way to get on everyone else’s nerves. But inside there is a soul that wants to do the right thing, as angry as it is. Aaron and Tamara provide a more rational backdrop to him, and make it possible for Call to change.

The end is a twist! You guess from the beginning what might have happened, but there isn’t anything to support your thoughts until later, and by that time it’s too late! You’re already committed to reading the novel from page 1.

I don’t think this novel is meaty enough for me to want to read it a second time, so that makes it a 4-star novel. But it’s a very good one, and I’d highly recommend it to beginning fantasy readers. I can’t wait for the second book in the series to be released as an audio book – I’ll gladly spend some of my commuting time devoted to it.

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Review: Katharine Kerr & Mark Kreighbaum – Palace

Palace
Katharine Kerr & Mark Kreighbaum

Vida is destined for sexual slavery, even as she tries to escape the protective confines of anonymity in a brothel. A lucky ‘chance’, set up by the previous generation means that there could be a way out – if only her fiancรฉ would stop drinking and she can manages not to be killed by the Lep assassin sent against her. Meanwhile, someone is destroying the Map and making a mess of the whole basis of Palace’s society.

While I was most interested in Vida as the strong female protagonist, the cheeky Rico got a lot of my attention too. The rapid changes in perspective seemed clean and sensible, and I didn’t find myself wishing that I was back with the last person. It kept me reading frantically to the end.ย 

Look, I thought it would be hard for me to keep track of which character was which, and which person acted for each faction. The factor/mentor/mentee relationships became more clear over the course of the novel. And indeed, I feel like I’d like to read it again, just to make sure that I got all the points in it. But my complaint was that the novel felt unfinished. Yes, some people suffered, but other people just got away with things!
The torturing methods described were a little graphic. But then I have a thing about eyes. So if you don’t like torture, just skip over that paragraph or so. The death of a thousand cuts is fine though. Just not my eyes, my poor eyes!
Ah, to live in a world with a true mix of fantasy and sci-fi. The cyber-hardware could have been explained in more detail. I found it interesting that the different pieces of a person’s body could have different implants, but it wasn’t really clear why this was the case. The world building on the other hand was detailed, and the authors made a point of reminding us readers why each place was important, but did it as subtly as possible that I didn’t just skip over those parts.
While I was drawn to this novel because it had Katherine Kerr as an author, I’ve actually only enjoyed a subsection of her prolific writing. That was way back before I got into fantasy proper. The promise of an equal collaboration, combined with the attractive blurb got me eager to read it. However, once I got into the novel, I felt like the blurb wasn’t actually very accurate. Yes, it has those characters in it, but the focus is not at all on Arno. In fact, I’m not sure he even ever gets a change to ‘speak’ with his own written voice during the text.
I picked this novel up from my local Op-Shop for a grand total of, um, maybe 50c? Or $1? Totally worth it. 4 stars from me, only because I don’t feel the need that I have to reread it right now, and I was content to move on to another book, even though this one left me gasping for air near the end.
I have just had a look on Goodreads and it seems there is a sequel. Given that my copy is a beaten up old one, is there anyone out there who has a copy of the second novel? It looks like these novels haven’t been touched by reviewers anywhere in recent history!

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Review: Ally Carter – All Fall Down

All Fall Down
Ally Carter
Grace has been thrown back into the life of Embassy Row, where countries stand side by side in buildings that could fall at any moment. After she left it, when her mother was murdered, ย she was put away for her own mental health. Now released into the wild-world again, Grace isn’t coping with being back near her remaining family, or the potential killer of her mother.
So I liked the idea of the novel. Embassy Row sounds pretty cool really. The chance to socialise with a whole bunch of different people and speak 7 different languages? Nothing but awesome! Although I think a couple of foreign words could have been thrown in for good measure. Then I could even pretend I was learning something from this novel.
Grace is so certain of these three things: ย she’s not crazy, her mother was murdered, and she wants to hurt the killer., that she can’t listen to reason. She’s determined to isolate herself. In fact, she’s so self-willed that you feel like some of this has got to be her fault, but also that the adults are just being idiots and not helping at all.
Grace seems to be suffering from some kind of post-traumatic stress disorder, which is basically belittled by any adult in her life, and which alienates her from other young people around her. It’s the reason she’s lost any friends, but doesn’t explain why she didn’t make any in the first place.
The sequences of events left me feeling disorientated. At the same time that Grace was trying to protect other people, she was caring little for her own life. If she’s dead, she can’t stop the next person from being killed. If anything, this novel wants you to empathise with Grace, but then throws you up in a very ugly manner near the end. The twists and turns and promises all turn flat.
I hated the ending. Absolute garbage. It was not a satisfying conclusion, and even as it left the ending open, it didn’t leave Grace as having grown as a character. I felt like the book didn’t actually achieve anything.
This novel is well written, and I can see that if it was part of a series (which it appears to be the first book of), and I had the next book to read right away that was going to give me some satisfaction and character growth, maybe I could score it higher. There are other things to read though, and so I’ll give this one 2 stars, with the promise of three if the next book can tie up the loose ends.

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Review: Dan Gemeinhart – The Honest Truth

The Honest Truth
Dan Gemeinhart
Mark lives a normal life. He’s got a great friend, a supportive family and a beloved dog. Except, it’s a as normal as someone who is sick all of the time can be normal. Mark knows he’s getting sicker, and maybe he won’t be able to climb any mountains before he dies.
The backstory on this is neatly woven into the text. I didn’t feel like any of it was a step back in time. The novel kept moving inescapably forwards, regardless of what the reader desired. The splits between the two perspectives didn’t feel false, and each break didn’t make me try and skip through the person I wasn’t interested in.
I guess the basis of this novel is the relationship between a man and his dog. A common theme, true, but this is a truly equal partnership, as shown by a couple of points in the novel. In this way, it makes it more relatable to kids who haven’t been so sick, but have owned a pet of their own which makes life so much better.
I’m not sure how I felt about the hiaku poems Mark writes. Sure, they’re neat in a way, but I don’t think it gave me any more insight into his personality. Cryptic notes are good and well,
This novel is either going to be one you are gripped with, or you can’t wait to get away from it. I came from the ‘gripped’ category, but a housemate said she wouldn’t touch it because ‘sob stories aren’t my thing’. I think it’s very unfair to call this novel a sob-story – it felt genuine and gritty and painful. I think what kept me reading was that fact that Mark’s future was really uncertain. His best friend understands what he needs, even if it kills her not to tell.
This is the first middle grade novel I’ve reviewed in a while, and I had to readjust my expectations. once that was done, I really enjoyed it. Maybe 4 stars for me – it’s in the region of novels such as ‘Bridge to Terabithia‘, that would be perfectly readable to its target audience and brings up some important questions to think about in life.

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Review: Kit Alloway – Dreamfire

Dreamfire
Kit Alloway
Josh is a dreamwalker – she enters the dreams of others to save them from her nightmares. On the eve of her 17th birthday, she still regrets and fears her relationship with others. Shackled with an apprentice that she doesn’t think she can care for, she needs to stop the men in gas masks while still holding up a facade of normality.
This novel was brilliant. Dreamwalking isn’t exactly a new concept, and neither is traits like this running in a family. But what is new is the idea of fates, and them being written down means they can be stolen. This novel combined so many good things, and scientific facts that when new things happened, they seemed quite believable.
The action sequences are breathtaking, and the possibility that people really do get hurt makes them all the more real. Once you’re attached to Josh and her apprentice (and her whole family), you can’t bear the thought of them being injured. When they are, it’s like a blow to your own heart.
I felt both satisfied and unsatisfied with the ending. Why did it have to end? And at the same time, it’s been left open for a sequel. For this to be a debut novel, it’s likely that Penguin was taking a chance on the author and not committing to a longer contract. But I sure hope they do!
A touch of romance is all a novel like this needs – not too cloying, and gritty instead. Josh isn’t a passive person, and she’s not a passive girlfriend. But when you look at her background, she was a bit needy. The only part that didn’t work for me was near the ending.
I felt pleasantly frustrated at times. I wanted to know Josh’s background in bigger chunks! I wanted more of everything! I wanted more nightmares! Sigh. I want more of these characters. They’re all built so nicely, their world is well-realised, and I couldn’t put it down.
What would I have liked to have done differently? Well, one niggly thing was that the ‘W’ names got me a bit confused at times. And swapping between the dreamweaver names and their ‘English’ equivalents sometimes left me feeling confused as well. It could be there was a connection between the two uses, but I’d have to reread to make sure.
I received this novel from Penguin – and I couldn’t have been happier that I had requested it. 5 stars – I can’t wait to read it again.

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Review: Paul Collins – Dragonfang

Paul Collins
Dragonfang
There are five pentagram gems on offer, bringing with them the promise of easily accessing distant worlds – whether that’s to bring back armies or missing companions. Jelindel stars again, but Daretor and Zimak have a role to play in the places they find themselves.
I have similar things to say about this one to the first in the series. Jelindel is starting to feel like a real adult, and Zimak and Daretor are progressing as characters. That being said, the plot is what makes the novel enjoyable, and makes it possible for reluctant reader to get in on the action.
We see the return of the lindraks in this novel, and see what the Deadmoon lindraks have changed. They’re still cut-throat assassins, but some of them are growing conscious of the importance of saving the whole of Q’zar.
Yes it makes sense that Jelindel would want to get her companions back, but seriously, hunting for extremely magical gems at the precise time she needs to? As it is a novel, I guess that’s what I should expect, but I at least want some suspense. Everything is just a little bit too easy (I’m sure Jelindel wouldn’t say the same thing).
This novel seemed like a tag-on to Dragonlinks. It was like the publisher discovered that the first novel was popular, and said, ‘quick, write me a sequel’ without considering whether the first novel should have been a stand alone or was originally designed to be read as one.

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Review: Paul Collins – Dragonlinks

Dragonlinks
Paul Collins
Jelindel’s family has been murdered, and she is just struggling to survive out in the real world. Throw in a thief and a warrior consumed with honour, and you find that they make an incredible team.Which is good, because they’re trying to hunt down missing links of a chain mail shirt in order to destroy it forever.
The characters are fleshed out nicely, and I was able to empathise with them. The only complaint I continue to have is that the characters don’t really show much growth – particularly Jelindel’s sidekicks. Even Jelindel herself doesn’t change much, except to be more plucky.
Something I truly respect about Jelindel is her search for knowledge for knowledge’s sake. I couldn’t understand why she just didn’t take all the skills from the dragon links! More skills are never a bad thing. Even if she didn’t use the powers (which wouldn’t seem very honourable), they would still be useful to have waiting around. That might have made the following books more exciting in terms of her abilities. Simple binding words get way too much importance – or maybe that the simplest things in life work best.
The plot is quite straightforward, but there are some diversions from the set path that you can’t begin to predict. My partner had trouble getting into it, she’s a slow reader. She commented the beginning was quite slow. I like the beginning! But I’ve always enjoyed simple things like learning lessons and working in an everyday life just for a change.
I have reread this series more than once over the years, but obviously not for 3+ years now! I would choose it as an excellent novel for reluctant female readers, or to a beginning fantasy reader.

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Review: John Lauricella – 2094

2094
John Lauricella
It is 2094, and life has changed for humans all over the planet. The majority of humans are pretty much comatose, and the few on the run are dying out. Others are trapped in cages – and the overload lives on Mars. The question asked by this novel is whether life is worth it, and what people can be happy living with.
If you’re sensitive to mentions of sex, please do be aware that that’s the currency of the majority of the world. There are few scenes that are explicit in a way (I mean, two SexBots having sex), but I’m sure you could skip those parts if you wanted to. For once though, sex is woven into the text, and it’s gratuitous. Rather it’s moving the novel forward, always keeping in mind that sometimes sex doesn’t solve everything.
My initial reaction was ‘Wow. This novel was really something awesome.’ I would strongly recommend it for both personal reading, and as a school text. It’s about time the high school curriculum got a shakeup, and this novel is just the thing to do it. The sex will bother some people, but at the same time, teenagers are growing up a lot faster these days.
For once the genre listings on the back were completely spot-on. It’s ‘fiction, literature and dystopian’. It doesn’t read as a fiction, it reads as if the author has seen into the future, and brought back the true of it. Some others categorise it under sci-fi, which is reasonable enough, but there’s nothing that we couldn’t expect to see in the next couple of years.
The back asks me to ‘suspend my disbelief’ – I barely needed to do that. Given the news in the media at the moment and the way that some human seem to act, it’s likely this is a step towards the future. I guess everyone needs a minion?
What I couldn’t understand was why any humans were kept alive at all. The only ones seeming to reproduce are the Initiates, and even then, it’s a product of genetic manipulation. Why keep trying to survive? That’s a clear question that each person needs to answer for themselves.
Some people have faith, and that enables them to keep strong in the face of ‘Discipline & Punish’. Others have their families, and a strong resistance to being broken up. But the world is a harsh place, and sometimes death is the only way out without losing yourself.
It’s obvious that this book has been created with 1984 in mind, even if you didn’t pick it up from the title. It mirrors some things, such as the failures of human decency, and yet gives the next thought of what Big Brother could be doing.
Get out there, buy a copy, and read this novel.
While getting the novel’s cover from Goodreads, I found this comment from the author:
“Mainly the risk is that the narrative’s interconnectedness goes unperceived. For that reader, the novel is going to seem scattered and random. It should not be possible to misread 2094 in that way, as a haphazard, sprawling farce, but an inattentive reading could cause it. Especially dangerous — to the book, to the reader — is the cursory sort of skim-job practiced by review-writers. Rifling through the book quickly, reading just five or ten pages here and there then skipping, skipping, and moving on, would allow such a reader, particularly one not much interested in the novel’s premise or subject-matter, to form a very wrong impression of how the book works and what it’s trying to do. Add any strong bias to this scenario and the result is probably a disaster. “
I’ve been reading about author/blogger relationships this week, and this is really summing it up for me. I feel slightly put out that it intimates that all review-writers don’t read the book throughly. After I read about the top reviewer on Amazon who reads 30+ novels A DAY I’m not surprised with having that opinion.
Don’t worry John and other authors! I’m not a reviewer like that, and that’s why I tend to have extended wait times for reviews. Peace.

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Review: Nancy Young – Strum

Strum
Nancy Young
Following the sounds of a music only he can hear (and the only thing he can hear), a talented woodcarver finds, and crafts, two beautiful guitars that play by themselves. This isn’t fantasy though – it’s a realistic novel for someone who has played older violins – they gain a life of their own over time.
Something on the blurb on this novel suggests that it unfolds on a backdrop of war and religious differences, but those were the minor things compared to the people. It is the interactions of the people across the generations, and the failures of all humans in one way or another, that makes the bulk of the text.
The author fails to allow the reader to use their imagination. The author doesn’t trust her audience to come up with the right details, and instead lapses into long descriptions of things happening and feelings that could have been shown. There were also so many analogies that I could easily lose track of where I was! For example:
“All heads and eyes turned to the main attraction next to the man, a vision in white luminescence like the first blanketing of snow on a virgin landscape, whose demurely downcast eyes lead all eyes below to the voloptuous, precipitacy draped bust-line where a thin line of moss green velvet ribbon delineated the fashionably cinched Empire waist while majestically lifting two wipe winter melon-like breasts, forcing them skyward.”
In addition, the narrative is disjointed and confusing. I couldn’t find a plot line, only the discontinuous chapters told from various perspectives and times. My unfamiliarity with the geographical locations only compounded my confusion. I didn’t feel the changes between continents because I was too preoccupied with trying to remember which character was related to the others.
What this novel was good for was re-broadening the variety of words that I have in my vocabulary, Sometimes it feels like the author has eaten a thesaurus. Instead I believe this novel is perfect for literature studies – the motif of the guitar, the differences in religion.
I think the author tried to do too much, and cram too much into this novel. I would prefer a chronologcial order, with clearer deliniations between the times and people than just a family tree. But I did like that there was that plan there. The only problem was that I couldn’t remember all the characters’ names…
This is not an uplifting novel, as much as the epilogue likes to suggest it. I found myself regretting getting involved with the characters, because it seemed like there was nothing to be gained from my interactions with the novel.
A disappointment as a fiction novel, but a key text that would benefit from literature studies on its worth. It’s a good addition to any literature buff’s library, and it would make a great text as a university study (if they ever stop promoting the old favourites).

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Review: Antoinette J. Houston – Red Summer

Red Summer
Antoinette J. Houston
Red, or Rita, is just beginning to catch on fire. Not in the way that Katniss does, but in the real sense of the word – Rita makes flames part of explosive life.
The idea of the mutant abilities was interesting, and quite unique from other novels I have read. Taking the blood of someone unique, and then finding the genetic basis of it – right up my alley. I’m not surprised it only worked on children. Did I mention that’s the field of my PhD?
Each of the main characters has those special powers, and it’s not immediately obvious which they have. Rita manifests first, and refuses to talk about it. She’s a ‘raging black woman’, which felt like it fell into a stereotype rather than Rita having her own personality.
Jason seems like a danger – I don’t know why they didn’t just kill him. I mean, it’s a bit inhumane, but when you get someone who can break everything in one fell go from within a cell, it’s just sensible!
I struggled to work out what role Thomas played. Only his memories are useful to the teenagers, and I think they could have survived without that. He seemed to be aimed at providing a ‘normal’ perspective, and still he was the one who was hurt the most often, just for being himself.
I don’t think that the blurb on the novel does justice. I didn’t jump into it because I couldn’t understand what the endless summer would be. I thought maybe I would see the same scene playing out over and over – but instead I got some powerful action scenes with tangible emotions.
Did I mention that the cover is pretty awesome? It’s very simple, but if you actually just look at it, it gives a strong hint for what is to happen. A match burning the wrong way…
What put me off this novel, and what might have changed since I read this early ARC, is some of the prose. The writing didn’t feel ‘tight’ to me, in the way that some novels are. The dialogue could have gone with a little more finess, because it often felt like the words were superfluous. Something else that bothered me were the changes in tempo.
I’m willing to cut this novel some slack, since when the author supplied it to me, she explained that this copy hadn’t been edited. I’m interested to see whether the next novel has evolved – and I think I’d consider reading it just to see what happens with the mutant powers. Are more of them going to appear? Are their children going to be ‘monsters’?

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