The Rending and the Nest
Kaethe Schwehn
95% of the world’s population was wiped out unexpectedly – and those left behind have had to make a life out of scavenging Piles to get the simple things that they need. The little community some of the survivors have put together has been functioning smoothly enough for 3 years, but the birth of inanimate objects from otherwise fertile women upsets the status quo.
This novel just got stranger and stranger, and I actually really enjoyed that. First there’s the strange Babies, and then there is a Zoo with a self-made savior. Then there is Mira and her conflicting personality traits and trusts. Despite feeling like I didn’t get to know the characters very well from Mira’s warped perspective, I didn’t actually want to know anything about the others so that I could better understand what Mira was going through.
I was reminded of The Rains in a positive manner. Strange how different people can respond differently to the end of the world. For a young adult version try How To Bee. Or of course, there is NK3 which is a terrible version of this!
The cover says it’s ‘A Novel’. Um, what else would it be? I always think a little less of a novel that uses that sort of language to ‘sell itself’. It could instead be billed as a novel that asks the reader hard questions within the veil of storytelling. How do we know the truth about ourselves and others? Is there any truth anywhere?
Phew. I loved the Acknowledgements that said thank you to her agent who said it needed another 20k words! There was a moment towards the end where lesser writers would have just stopped writing – and I would have demoted the novel to 3 stars. Instead, I’m giving it 4 stars for keeping me eagerly reading for whatever could happen next.

Bloomsbury | 1st March 2018 | AU$24.99 | paperback








Oh dear. This novel sat on my shelf for about 2 years before I picked it up. I just wasn’t feeling another strange disappearance or mystery after
Oh gosh. This was terrible. I skimmed the first half so I could get to where the FACE business actually happened. Then I was so disappointed in Martin’s eventual internal monologue about his face that I just dropped the book. I could have even dropped it in the pool, it was that terrible! The supporting characters might have actually had something to do in the second half of the novel, but I wasn’t waiting around to find out.
The storyline on this is quite decent, with quite a few plotlines to keep the reader entertained. Unfortunately, the narrative was a little scattered, and I think it could have benefited from Prayer’s perspective. Warner was so completely biased against the Bigs that the filtered narrative was difficult to follow and a bit unpleasant.
This was a wizbanger of a novel! I loved the concept and connected well with the main characters. To some extent, people already do this. I cropped a person out of a photo (it just wasn’t the photo I needed), and it didn’t look half bad. And I have NO art or photoshop skills. I’m certain there are businesses doing this already, but it’s more black market than what seems to be going on with Thomas’ work.
I was really looking forward to this novel, but then I couldn’t get into it. I expected that most of the novel would be during the time that Sala was pretending to be a girl, but instead it was split into about half-half. I honestly never felt like he was in danger. He was never with a group of people who were ordered to drop their pants and half the time they were in hiding where he wasn’t even in contact with people. As far as I could tell, the worst risk was the people who had known his mother and that his mother was Jewish.
Hmm, while I was reading this I was totally engrossed and couldn’t put it down due to the powerful plot. However when I think back on it some of the character development was completely see-through and unexciting. Unfortunately that’s what I’ve come to expect from HotKey Books. The novels don’t seem to be as refined in my opinion; I’m thinking of novels such as
I found myself quite confused a lot of the time and I struggled to follow the point of the novel. The blurb led me to believe that it was all about Evie and Hunter, but in fact it focussed just as much on Ono/Aurio and the struggle of wills. I was left feeling confused about the aim of the novel. Did this novel want me to sympathise with Evie and conclude that the strand was evil? Or did it ask me to set that aside and see the positives of the strand? I’d lean towards the former, but I couldn’t work out why it was relevant to me (despite the maps suggesting that this was a future world of our own).
This is the first time in a while that I have read a Mercedes Lackey novel. After reading her latest
What confused me was why Sam didn’t just ‘speak up’ anyway. He could write, couldn’t he? Wasn’t he sneaky enough that his aunt wouldn’t notice? He was allowed to go to the bathroom by himself. He could have slipped someone a note. Why is it that when it is too late he finally does something? He’s not that dumb is he?