The Road to Transition
Bree Record
Sarah was destroyed by Steven, now Bree is ready to take her rightful place in the world. This novel chronicles the 40 days before her surgery, interspersed with her most distressing memories of the last 55 years of her life. This is the transition of everything.
I love the way that the blurb labels this as a ‘gender confirmation surgery’. It’s not a reassignment surgery, which implies that there is something weird about it. I think it is very difficult to properly convey the feeling of both relief and confusion when someone takes their identified form. I would really like this novel to have a bit more after the form change, but it’s limited in pages to explore everything.
While the imagery was beautiful, I needed more substance. I could have had more of everything, particularly more about Bree’s relationship with her Wife. When a transition takes place, it often rips apart families, particularly as people who never thought they were gay suddenly find themselves with a same-sex partner. I find that that usually raises a really interesting question.
It had potential I think, but could have done with significantly more editing to improve the flow. It feels a little like the journal was just plucked up and turned into a novel without much thought of how a reader would enjoy having the storyline presented to them.
I’ve hit a lot of splashback in the past from people feeling like I haven’t thought as the author/their cousin/aunt/mother as a real person with a true terrible journey. Let me be clear – I am not criticising the author’s life (how should I know what parts haven’t been included?), simply the literary construction of the novel.
I read this one night that I was suffering insomnia. It kept my attention because I couldn’t sleep, but it wasn’t that great. However, this was so so much better than when Adam became Audrey. That’s written from the perspective of the partner of the transitioning person, and it’s absolutely horrible. I can’t warn people away from it enough. This is a good book in comparison.
I feel like this novel is just another in a series trying to encourage girls into STEM (Science, Technology, Engineering and Math) fields. The last I read, 
Normally the ‘literature’ style of writing might have put me off – it’s filled with beautiful prose that waxes lyrically about the lines between Man and God. Don’t expect it to ‘end’ in a conclusive manner, instead the reader is left to wonder what good can change in the world.
I’ll be the first to say that a lot of the language in the novel is offensive. It’s particularly offensive to gay people, eg. “limp-wristed, pillow-biting, doughnut punching bum bandit”. Which, given the subject matter, I’m not surprised that it’s targeted so negatively. But I also appreciated the hard feelings and accuracy of that. It felt ‘real’.
This novel was sent to me by mistake by Allen & Unwin, but I decided to read it anyway. I love music and appreciate artist talent, despite not having much talent (or none, when it comes to art) and so I thought it could be good. Instead, I was hit with Ginny’s romance, and very little writing! I was frustrated that she didn’t do more with her art. I also found it unrealistic in how talented simply EVERYONE was.
The author gets points for making the novel potentially race along, skipping years where necessary to make the plot move. What redeemed this novel a little was the writing style, and the gentle nature of the male protagonist. He wasn’t all macho, which made it a refreshing change from other romance novels. Not to mention it was a MALE protagonist, which is rare in this genre.
I’d like to hear other people’s opinions about this novel. What do you feel like you gained from it? It took me a long time to sink into this novel, and then I struggled with the then/now perspective changes. I recognised Kit’s mind struggling with the same thing, and I couldn’t separate her projections away from the truth.
I once again expected this novel to be far more exciting than it was. I was tantalised by the amazing tactile cover that lept out at me and screamed ‘read me now!’ Sadly, it just wasn’t to be. Despite there supposedly being a sense of urgency and death imposed on me from the blurb, I never felt very concerned.
The language in this was passionless. For a novel about fury and rage being key to power, the text itself didn’t inspire that in me. Perhaps there was too much detail for me? It felt like clinical observation by Ruby the whole time. Ruby’s reponse to ‘Die in pain’ was too cold and clinical to something that was spat out in fear.
I was left underwhelmed by this novel. There just seemed to be nothing outstanding about it. The characters were a bit wussy, I couldn’t get inside anyone’s heads and Pearl was an inconsistent narrator who was mainly irritating for me to read.