Cinderella is Dead
Kalynn Bayron
Sophia has been preparing for her debut for her whole life. Or at least, her parents have been trying to prepare her. Every girl may go to the ball three times and be chosen by a man – or her life will be forfeit. Sophia can see through the facade though, and she doesn’t want to be chosen by a man. She wants to be with Erin.
I liked the new twist on the Cinderella fairytale, but some elements left me feeling disappointed and short changed. I was happy that I had a lesbian protagonist. I was happy that she didn’t instantly fall for her new female friend… but that she lusted over her. Who doesn’t want something that is forbidden? I feel like that love was really just lust, and that’s far more preferable to insta-love.
I would like to know where Sophia got her blackness from. The kingdom seems tiny and racially white, so where did she come from? I get that she doesn’t fit in, and I get that that resonates with many people of colour at the moment. My problem is that the world that Bayron has built in this novel is too small to have more than one race of people. The ‘Kingdom’ itself just seems to consist of one large town?
I didn’t understand the ending with the Fairy Godmother. What did she get out of the status quo? Living forever doesn’t seem like a fabulous thing to me, particularly if you’re isolated. Also, the ending made it seem like if you can just topple the Man at the Top, everything will be breezy. It’s not that easy though. You can’t just make a hole in the power structure at the top, and expect everyone to come to the new system. I wanted to see more – how will this new way of living go? What other countries might they learn about?
Ultimately the ending let me down and I kind of regretted spending my time reading it. A light-hearted and unfulfilling novel. I can only hope that this author’s worldbuilding skills improve for her future novels – and if she’s still writing queer fiction, I’ll be reading it!

Bloomsbury | 1st September 2020 | AU$15.99 | paperback








This book hurt me, because it had so many steriotypical ‘gay male’ behaviours in it. The main character is a normally flamboyant gay male who wears nail polish, sings and dances hilariously and isn’t sporty. Normally I hate steriotypes, but they are usually known for a reason. The fact that Randy’s head space shows his personality regardless of his outside presentation is important. Many gay people act straight to ‘pass’ as normal, and it’s nice to have a protagonist who can show what that’s like, and how hard it is.

I’m not really sure how old these kids are. Teenagers? I thought that I read somewhere that they are in junior high, but they certainly seem to have a lot of freedom in school for that. I’m a great believer in the power of education, and they don’t seem to spend much time at school! The only class they seem to do is art, and while I think it’s really important for expression, it’s not the only way to express yourself.
This has no plot, and yet Juliet manages to get herself into trouble. She makes every bad decision that she possibly can, and forgives far more easily than I wanted her to. In a way that perhaps makes her more relatable, yet somehow things just work out for her in the end. Juliet can somehow do no wrong? Her flow-of-consciousness interspersed with passages of Harlowe’s doctrine didn’t do any favours to the feeling that I was just floating and being told the story, not shown it.
Rainbow Rowell’s novels are usually a 100% love from me (
The *star talk* of Zoe and Sam’s fantasy world together didn’t actually set me on fire (pun intended). I was more interested in their complicated emotions and cute ways of showing they cared. For example, Sam’s mom packs her a lunch in foods that are colour coded and divisible by four (which I personally find a very odd manifestation of OCD – but who am I to judge?). Then they share and make crazy flavour combinations.
What I really liked about this novel was that the main character wasn’t automatically understood by everyone around her. Nor did she automatically know whether to shave or how to behave with other teenagers. Being a teenager is all about not knowing yourself yet and having to experiment and experience life, and Vetty gives a window into that world. Collins does a fantastic job of communicating Vetty’s insecurities in a way that still lets her be a person.
Avery, get your head in the game! Merritt, I love you the mostest but please get over yourself and get started loving Avery properly. Even if it’s just sex, enjoy the time you have, grab it! In line with this, there are sex scenes, and I can’t decide whether they helped with the storyline or hindered. As the author is a lesbian, you’d be able to assume that the sex scenes are not unrealistic and pornographic.
I think I would have actually benefited from reading ‘Simon vs. the Homo Sapiens Agenda’ first. I just ignored the fact that this novel was the sequel because it looked awesome, and I really enjoyed