The Wicked Deep
Shea Ernshaw
Penny lives on an island outside a small town called Sparrow. 200 years ago, three sisters were drowned as witches. Since then, they have returned every year on June 1st, and stay for a few weeks to possess the bodies of girls and take their revenge by drowning boys in the village that betrayed them.

This was a nice, light book that was a pleasant time-filler. I appreciated that it was short and sweet, and a book that I could read once, and move on from (instead of a larger book, or a series, where I remain invested long after I’ve finished reading). The book felt, at least to me, as if it was split into three distinct sections that each had a different feel and that I enjoyed differently.
The first section of the book was confusing for me to read. Although the blurb stated that the three sisters did exist, the book itself didn’t make that clear until around 1/3 of the way in. This meant that I spent the first part of the book unsure if it was meant to be a mystery or a fantasy novel, and as I read the two types of books differently, it was hard to immerse myself in the story.
The middle third of the book was much better than the first, as I was able to commit to the story now that I had some idea of what was happening. I don’t have a whole lot to say on this section, apart from thinking it was well-written and reasonable, although not outstanding.
The final part of the book was by far the best. The progression of events forces Penny to make difficult decisions, and I really enjoyed reading through her reasonings. That said, it felt like Penny spent a lot of time pitying herself – which wasn’t fun or interesting to read through – and the ending was predictable. The enjoyment of this third section of the book was very dependent on already having formed a bond with the characters and being invested (at least somewhat) in their romance.
The romance in this book was pretty average. It begins in such a predictable manner that I already lost some interest before it had hit full steam. The trope of ‘a mysterious person saves the main character, and they instantly have a connection’ is so overused in books that it doesn’t interest me much anymore. It wasn’t terrible, but it was predictable and not very engaging. Their relationship also felt like it moved much too quickly, going from first meeting each other to falling in love in a few weeks, with not a lot of time spent on their interactions. That said, this was a very short book, and I feel that fleshing out the relationship too much could have made the book feel bloated.









Ugh, take me back to the older style Elemental Master’s series! I don’t care that they were ‘just’ re-imagined fairy-tales. Yes yes, it’s important that the psychics and the clairvoyants (and Celtic Warriors) get airtime (readtime?) but give me some air elementals any day. None of the other Elemental Masters get more than one novel devoted to them, so why should Nan and Sarah (3 books and counting)?
It’s a novella, so it won’t take you long to read at all. Sanderson still manages to fully realise his characters and build a vivid world within a world for the reader to look at. The premise itself is rather mind-bending and I tried not to think about it too hard. You can’t change the past… but you can view it and hope you don’t change it too significantly.
If you couldn’t tell from my introduction to this series, I’m thoroughly unimpressed with it. The characters are sketchy, the concepts have been overworked (see ‘
This was a clean teenage fiction with a tight-timed plot line and some chaste kisses. It was refreshing to read something that didn’t really want me to think too hard. I easily swapped between the perspectives of June and Day. Day watching over things actually reminded me strangely of Aladdin! Things often moved very quickly and so the characterisation sometimes suffered. The interactions between June and Day still seemed genuine though.
What am I supposed to feel about this whole concept? I read that this is based loosely around ‘The Tempest’, which now makes the chapter/section headings make sense. Reading it just as a novel without this novel makes the reader confused as to why things are Act 1, Scene I etc. Why has the author chosen to do this? I honestly have no idea why the author did ANYTHING in this novel.
I very happily read this book and described it in great detail to my almost-wife. She found it a bit creepy thinking about the fact that some people who are vegetative are actually in there, and can’t communicate! The technology is getting better, and maybe eventually we will be able to identify people who are still present in their helpless bodies.
Slow, this novel was very slow. Perhaps that’s because similarly to 


Half the time Kiron acts very teenager-y and the rest of the time a bit childish! He spends a lot of time second-guessing himself and being grumpy. I’m not certain how many years have passed since the other novels, but I would guess at least 3-4, since there are a lot of new dragon wings (complete wings of 9). If he’s the chief of the Jousters, he needs to get a wriggle on!