Not if I Save You First
Ally Carter
After Maddie’s father saves the first lady from being shot, he takes Maddie with him to make a new home in Alaska. Maddie finds herself torn away from her best friend Logan – the President’s son – and grows angrier with him over time as she sends him hundreds of letters and never gets a response. Six years later, Logan is sent to live with them in Alaska, both as a punishment for his behaviour, and to keep him safe. When he then gets kidnapped by the same people who tried to kill his mother years ago, Maddie must save his life, even if that means getting captured herself.
This book was full of plot holes, poor decisions, and just wasn’t exciting. The main character, Maddie, seemed to be either perfect or immortal. After falling off a 15-meter cliff, she’s able to trek through the Alaskan wilderness, make her way across a dangerous bridge, and run away from a man shooting at her. 15 meters might not seem like a lot, but it’s not uncommon for people to die from a fall that high. She later gets shot in the shoulder, and is still able to cause an explosion, survive the explosion, and throw a knife into a man’s back. Nothing felt like it had any meaning, and by the end the book felt boring and stale, because I knew that Maddie’s ability to shrug off fatal injuries would likely mean that nothing would happen to anyone else. The only progression that occurred throughout the book was the discussion between Maddie and Logan about the letters, and even that was resolved in a few pages.
There were some parts of the book that I enjoyed. I loved Maddie’s personality, with her mix of tough and girly, and her ability to annoy her captors. The letters at the beginning of each chapter were also a nice touch, helping to show more of Maddie’s personality, and how the lack of response made her feel.
This book wasn’t terrible, but it’s definitely not something I’d read again. I constantly found myself jolting out of the book and back into reality from a variety of just… strange occurrences, ranging from weird sentence structure, to poor decisions on the characters part, to people doing things that should’ve been impossible. I’m giving this book 2 stars as it wasn’t an effort to get through, but it also wasn’t very enjoyable.









I started diligently reading this novel, and then got bored with the incredibly slow progression. I did want to know what happened though, so I basically just skim read to the ending. I’m fortunate that I didn’t waste my time on this novel because the ending was disappointing anyway.
Shalia is a decent enough character who is determined to stand on her own two feet. However, sometimes this just doesn’t work for her. I felt confused that sometimes she stood up for herself against Calix, but the rest of the time she didn’t. Do you have the power or not Shalia? She seems to have faith in the power of marriage even as she subverts it. I didn’t understand her well enough to get what she really meant.
Now, this was a decidedly odd novel. I forced myself to read it because I believed that it could get better or have something really powerful to offer me. Cloning to produce little humans as pets? It could be really fascinating because it’s a possibility.
I should have really enjoyed this book, but I sadly didn’t. What I mainly felt was a sense of envy that the case studies within the book had contact with such a fantastic, holistic MD. I am very grateful for the medical facilities in Australia, and I understand the importance of funneling resources, but the system sometimes makes it difficult to reach the professional you need.
In these novels, Sanderson breaks all the writing conventions, especially the ‘fourth wall’. The author (Alcatraz) is writing these memoirs and is fully aware of how writers make novels and how to make readers cry out in anger! Particularly with meandering introductions to chapters or going off topic, or just generally being irritating. It’s a style of writing that is either going to drive you crazy or have you laughing out loud.

Ugh, take me back to the older style Elemental Master’s series! I don’t care that they were ‘just’ re-imagined fairy-tales. Yes yes, it’s important that the psychics and the clairvoyants (and Celtic Warriors) get airtime (readtime?) but give me some air elementals any day. None of the other Elemental Masters get more than one novel devoted to them, so why should Nan and Sarah (3 books and counting)?
It’s a novella, so it won’t take you long to read at all. Sanderson still manages to fully realise his characters and build a vivid world within a world for the reader to look at. The premise itself is rather mind-bending and I tried not to think about it too hard. You can’t change the past… but you can view it and hope you don’t change it too significantly.
If you couldn’t tell from my introduction to this series, I’m thoroughly unimpressed with it. The characters are sketchy, the concepts have been overworked (see ‘