Review: Will Boast – Daphne

Daphne
Will Boast

Daphne was a normal enough child but when she hit puberty she started to have odd paralysis fits. After being tagged for the morgue, Daphne’s life was sure to change – her paralysis fits were brought on by strong emotions, her own or anyone else’s nearby. Repetition is the only way she can survive, yet is that really a life?

Arg! I was left without real knowledge for whether this condition was a real life one, or just one that the author thought would be interesting to explore. The potential ‘science’ behind the disorder was explored to an extent but again, there was nothing concrete about it. At least novels with Selective Mutism give support resources, as do any novels detailing mental illnesses.

The author seemed to be going for symbolism, such as Biscuit and the man-blob. I felt confused though, and distracted from the rest of the story. It really didn’t fit in. The man-blob had his own part to play, but honestly the inevitable death of Biscuit (I promise this isn’t a spoiler, it’s obvious once you read about him) did nothing for me. I’d never formed an attachment to him, and Daphne didn’t seem to either (because she can’t possibly get attached to anything). Oh! And poor Hidalgo! Really author? That was just cruel and unnecessary.

I was utterly unsatisfied by the ending. I didn’t see how she could possibly survive for that long! Patterns and repitition are excellent… but they can only take you so far. Perhaps some actual counselling rather that going to a Doctor who would rather put you through tests to see your limits? Imagine what a marriage breakdown could do or the death of Brook or her mother. I wouldn’t have blamed her for her ways out.

I started this novel eagerly, giving it 4 stars out of the gate because of the interesting premise of Daphne’s disorder. Then, it downgraded to 3 stars when I realised that the writing style was not going to perk up and it was going to continue to be a hybrid stream-of-consciousness. Finally, the ending did me in and put it down to 2 stars, as did the lack of resources on the condition. Don’t waste you time on it.

Allen & Unwin | 21st February 2018 | AU$27.99 | paperback

Interview with S.D. Grimm

An Interview with SD Grimm, author of Phoenix Fire

S. D. Grimm’s first love in writing is young adult fantasy and science fiction, which is to be expected from someone who looks up to heroes like Captain America and Wonder Woman, has been sorted into Gryffindor, and identifies as rebel scum. Her patronus is a red Voltron lion, her spirit animal is Toothless, and her favorite meal is second breakfast.She is represented by Julie Gwinn of the Seymour Agency, her office is anywhere she can curl up with her laptop and at least one large-sized dog, and you can learn more about her upcoming novels at www.sdgrimm.com

Thank you so much for having me! I’m excited to be here!

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite?

I tend to love the novel I’m working on at the time most. And I love all my novels for different reasons. The epic feel in the sword and sorcery series with a world that was so much fun to create in my Children of the Blood Moon series is so fun, but what I love most in it is the character relationships. And in Summoner, Cody—oh my gosh, I love Cody—and his growing relationship with Allie is my favorite. I guess I love the characters the most. 

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

Mine is actually a middle grade novel. It’s not the genre I’m currently writing in, but there might be a day I dog it back out. For now, though, it’s fine where it is.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

Both? I generally let ideas percolate for a year or more, but that’s because I have SO many that I simply can’t keep up with them. Last year I wrote two novels, and the year before that, I wrote three. This year I hope to write four. And I pull them all from the little greenhouse of growing ideas in my mind palace.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

I vary between spaces. The couch, loveseat, bed, dining room table, moving vehicle while someone else drives, and occasionally my actual desk. I use my laptop most often.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I have a group of beta readers and critique partners that I can call on for early readings. And, yes, many of them are family members who will tell it like it is.  And hiring an editor was a process of auditions in a way. But now that I am a freelance editor as well, I have many connections in that field.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

My favorite way to read is with a hardcover book. I love the feel, the smell, the sound of a turning page. But since being introduced to e-readers, I would say I do most of my late-night reading there. And there’s this amazing little bookshop downtown called Serendipity Books. It’s entrance is through a dark alley (well, the one I like to use). How perfect is that?!

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind?

My favorite genre is hands-down YA fantasy and sci-fi.
1. childhood? C.S. Lewis and Jack London
2. adolescence? Richard Adams
3. young adult? Brian Jacques
4. adult? Too many! Maggie Stiefvater, CJ Redwine, Cornelia Funke, and Mary Weber.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. SinceĀ you manage your own profile, please tell me as much as you are comfortable with in regards to your preferred platform and an estimate of time you spend doing it [and whether you like doing it!].

I love IG the most. I use FB to connect mostly with friends I’ve met all over at writers’ conferences and things, whom I don’t live near. I use Twitter, but feel buried a lot. Instagram is my favorite because pretty pictures plus words. I spend waaaaaaaayyyyyyyyy too much time on SM sites responding and liking and posting and checking. So it’s something I’m trying to time manage better, TBH.

About Phoenix Fire:

After spending her life in foster care, Ava has finally found home. But all it takes is a chance encounter with hot nerd Wyatt Wilcox for it to unravel.

Now, things are starting to change. First, the flashes of memories slowly creeping in. Memories of other lives, lives that Wyatt is somehow in. Then, the healing. Any cut? Gone.

But when Cade and Nick show up, claiming to be her brothers, things get even weirder. They tell her she’s a Phoenix, sent to protect the world from monsters—monsters she never knew existed. It’s a little hard to accept. Especially when they tell her she has to end the life of a Phoenix turned rogue, or Cade will die.

With Wyatt’s increasingly suspicious behavior, Ava’s determined to figure out what he’s hiding. Unless she can discover Wyatt’s secret in time and complete her Phoenix training, she’ll lose the life, love, and family she never thought she could have.

Buylinks

Author Links: WebsiteĀ |Ā Ā TwitterĀ |Ā FacebookĀ |Ā PinterestĀ |Ā GoodreadsĀ |Ā AmazonĀ |Ā Entangled Publishing

Review: Anna Day – The Fandom

The Fandom
Anna Day

Violet thinks that she is a Shrinking Violet and that there is nothing special about her. When she is catapulted into her favorite novel as the heroine and she is the only person who can get them home, Violet must stop shrinking and grow some balls (the author’s terminology, not mine)!

Nope, I didn’t buy the Violet – Alice connection. I really did feel that Alice was an ass. Seriously, 17 year old girl suddenly deciding that she’d like to stay in a violent fantasy world that has to eventually collapse? Idiot… I wanted more Katie time! Damn she was good. Way more an exciting character than Alice (and more deserving too).

I wonder how many shared dreams/comas there are in real life? It’s an interesting concept. I certainly dream pretty vividly, so it is possible. Perhaps out-of-body experiences? I have a non-fiction novel by a neuroscienceĀ on my shelf at the moment that perhaps will explore this idea more.

As the novel progressed, I found myself more and more confused. How exactly did this cross-over work? I’m not sure whether this is a spoiler or not, but you very quickly work out the double worlds at play. Sadly, I didn’t find that it created any suspense – the potential beeping of the hospital machines or anything else.

I really enjoyed this novel due to its fast pace, but I don’t think it is a reread for me. As other reviewers have noted, you get told the ending at the very beginning. I also always figured that they would come out ok at the end, and thus the ending wasn’t as exciting as it could be. 4 stars from me.

Chicken House / Scholastic | March 2018 | AU$16.99 | paperback

Review: Mary Watson – The Wren Hunt

The Wren Hunt
Mary Watson

Wren is chased once a year for her name. This year, she pledges, is the year she will no longer be frightened, and the year she will no longer be caught. Instead, the leader takes a slice of her hair, claiming the literal kill for himself. But there are other plans afoot – does Wren have a different destiny to fulfill?

It took me a while to get into this novel. The start was very slow, despite a chase scene. But the lead up to the chase scene destroyed the anticipation. The rest of the novel wasn’t as predictable though (except the love interest). Oh! Twist! I did not see that coming. This novel stands alone quite nicely, but I can tell it has been set up for a sequel. What will Wren do next? What does it all mean?

I felt Wren’s character was nicely defined, and her behaviour was very consistent despite the different environments she found herself in. Like her family, I also felt that she should have done more snooping, but for her own benefit.

I felt confusion about what had come before with the artist and her mother? And I also didn’t get any conclusions about some of Wren’s visions. I also would have liked some more information about her mother. Finally, I wanted to know more about why these archives were actually formed.

As you can see, this novel left me with a lot of questions. At the same time, it did conclude. For the terrible beginning I’m giving this three stars, but I would consider reading the next novel if there is one.

Bloomsbury | 1st March 2018 | AU$14.99 | paperback

Interview with Lynn Steigleder

An Interview with Lynn Steigleder, author of the “Rising Tide” series and
“Terminal Core”

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite?

DEADLY REIGN

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

I am fortunate not to have anything outstanding. All my work is either complete or headed in that direction.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

One a year is a good pace, although at the present, marketing takes up a good portion of my time. So much so it’s causing a delay in the completion of my latest manuscript.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

I do the majority of my writing at home. There have been times when traveling I would use my laptop, which brings me to the next question: always digital.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I am so blessed to have an assistant who is an English major. She takes care of my editing needs. I have family and friends who will read my books and give me feedback.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

I was drawn to Science Fiction and Fantasy (no unicorns) from a young age. I want to be able to touch a book, especially one with a dramatic cover. I guess I’m guilty of judging many books by their covers. I don’t have a favorite book store, but I do have a wild imagination.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind from:
Favorite genre: Science Fiction.
1. childhood? Superhero comic books
2. adolescence? Superhero comic books
3. young adult? Robert Heinlein
4. adult?` Stephen King

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. If you have chosen someone to manage your profile, please tell me why you did this?

I manage my own profile. I write a blog and publish a story once a week. I have a newsletter through my website, which I send out bi-weekly. I have a Facebook page. I have a Twitter account that is tied in to my blog and newsletter. I have author pages on GoodReads and Amazon. I use Book Buzz which allows me to write tweets ahead of time and spread them out to be tweeted on the days and time I choose. I write short stories and publish them on WordPress which sends them to all of my followers, Twitter and Facebook. Lastly, I post pictures of my novel covers on Pinterest.

Answering interview questions can often take a long time! Tell me, are you ever tempted to recycle your answers from one to the next?

Being as this is my first printed interview, I’ll have to let you know.

Interview with Tesfahiwet Mekonnen

An Interview withĀ Tesfahiwet Mekonnen, author of Happyland

My name is Tesfahiwet Mekonnen—I go by the abridged version: Tes Mekonnen. I came to America (1990) at the age of 4. I was born in Sudan, but I am Eritrean (a country on the horn of Africa) because my parents are Eritrean. They fled Eritrea because of the war and trekked to a refugee camp in Sudan and they started a temporary life there. Then we got on an aeroplane in and came to America. I’ve written a couple of things that I am proud of because I put so much into them, particularly Happyland.

What have you written?

I’ve written Blue Ivy Carter: A Little, Big Story. I wrote this story because I read an article where folks were attacking the appearance of a little girl—that little girl happens to be Blue Ivy Carter. What is wrong with folk? Even kids aren’t sacred on the Internet. Leave the kids alone—they don’t deserve your venom. I’ve also written The Book of Teezus: Thus Spoke Me (a book of original quotes that comes in 2 versions), and Happyland: A Fairy Tale in Two Parts—the book I am presenting today.

What is this your own personal favourite project?

There is an ambivalent attachment to Happyland. Before I go into why, I need to explain the genesis of this story. Happyland began as a writing prompt in a creative writing class. This was in 2010. I really didn’t think much of it till I received decent feedback. I allowed my creativity to reign freely. I realized I could take chances with my writing. Happyland was terribly rough, but I had a decent framework for what Happyland would eventually become. Then I started popping pills (Adderall) and my terrible addiction made a straight-up mess of the story. I really took a decent story and destroyed it. It became absolute gobbledygook. This is why I am ambivalent. I got sick, cleaned myself up and chucked Happyland because I couldn’t even look at it without grimacing. I had gained some objectivity and I couldn’t even read the story because it was absolutely nonsensical. It was ramblings of a man gone fuckin’ mad. I dropped out of school for the 2nd fucking time. I was absolutely empty. I had nothing, but my writing. The irony is what destroyed me is what saved me. I had to justify my life somehow and I started scribbling in a cheap journal. I finally completed Happyland. I was able to complete the story with a clean mind. I still wasn’t insecure about my writing, so I hired a credible editor. I received some great constructive criticism and kept tweaking my work. I started gaining more confidence in what type of writer I wanted to be. Frustration started to mount because of the rejection. I don’t mind the rejection, but the waiting was disrupting my progress. I decided to become a bit proactive. I was still in a rut because Happyland needed something more—illustrations. I posted an advertisement that was fraught with hubris to lure the best illustrators I could possibly find on a minor income. Serendipitously, I found a great illustrator, Anthony Resto. The oddity was I posted an ad in Seattle and he was from Indiana. I asked for a quick sketch and as soon as I saw his drawing of Lily Marshmallow, I needed to have him for my book. I am astounded by the fact that we have never even met. We’ve only talked once. The whole collaboration was done via texting. I transferred what was in my head and he captured it beautifully. Happyland is my favorite work because I did everything to create a work that is of high quality. Sorry for the longwinded, roundabout answer. It took awhile to get to this point, but it finally came together.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

Forget percolate, I let it ferment till I get drunk enough to write. I am just joking. I don’t like forcing anything—I’m lazy that way. I am not really a disciplined writer. I don’t wake up a 9 a.m. and start writing until a certain time. I can’t do that. I wish I were able to that. I get ideas and let it stay in my head. If it is a quality idea, I jot it down. Happyland was frustrating because it was more imaginative and it exhausted me. It strained my mind’s eye. That is poetic of saying…I’m that imaginative. I like working on different projects. I got frustrated with Happyland, so I started The Book of Teezus. Since it is a book of quotes, it didn’t require that much time. I was able to compile quotes. I have a couple half-cooked ideas that I might explore later. I am just all over the place.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

I used to prefer writing in journals, but I was just so disorganized. I got accustomed to typing up my ideas. I do everything digitally now because it is just much faster to capture my thoughts. I am not the most disciplined writer. I get a bit inspired and thoughts just flood out and typing the flood is easier and faster. I like getting stuff on the page. I worry about cleaning later. I prefer working by myself and using my computer.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

Happyland was lucky enough to spawn from a writing class. My peers were the beta-readers. As of now, I just utilize an editor and myself. I am not lucky enough to have family members that would read and comment on my novel. They are loving, but not a reading bunch. I wish that was the case because I put so much into this work and the best validation is from close ones. My mother knows I write but doesn’t know what I’ve written. We speak different languages. I came here when I was 4 years old and I speak English. My mother doesn’t speak English. I speak rudimentary Tigrinya (language from the African country of Eritrea.). She speaks Tigrinya fluently. It really does suck that I can’t much speak with my mother outside of unpleasant pleasantries. This is the life. Tigrinya is language that isn’t taught everywhere and Eritrea is such a small country. My mother is very supportive nonetheless.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

My love of writing was birthed out of reading. I started reading and reading and realized I could write. I like the physical feel of books. I don’t own a kindle and I am not a fan of digital reading. Going to secondhand bookstores helps you discover new writers and different editions of books. It is like a scavenger hunt. Whenever I go to Goodwill, I never know what book I will be purchasing. I really don’t know where I source my material. An idea pops into my head and I just go from there. Sometimes it grows into something worthwhile. I am not the best writer, but I try to take fun chances. I am a proponent of fantastic failure rather than mediocrity. It starts with an idea and then I must execute that idea. It is all about the execution of the idea. Since having a reliable illustrator, I just present an idea to him and he draws it up and that inspires me. My words are competing with the illustrations. Whenever I am in a rut, I try to visualize something. If I can’t write that visualization, I commission it to be drawn up. Most of the images from Happyland are ideas that I thought would be fun to look at. I had these images in my head and my writing is to describe those images. I write because I don’t how to paint. I am not the best writer, so I prefer the aid of illustrations.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind from:

Adult. The first books that started this whole love of writing were Crime and Punishment and Anna Karenina. I’ve read a lot of folks, but Tolstoy sticks out because of Anna Karenina (the Richard Pevear and Volokhonsky translation). I think that book is perfect and sustains resplendency for 800 pages. He only needed to write that one book and he would be one of the best writers. A work that had the most profound influence on me is The Stranger (Albert Camus), but I don’t know why. Maybe, I have a lot of Meursault in me.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job.
– If you have chosen someone to manage your profile, please tell me why you did this?

I think social media has warranted your disgust. This is the brave new world.Ā  I have chosen to manage my own profile because it is a necessary evil and secretary is away on business— for forever. I utilize social media sparingly. I have an Instagram account (@TesMekonnen) because most of my work involves illustrations and I like to display them. I wish I were more active on Twitter and Facebook because that is the way everything is going. If you don’t have an online presence, you practically don’t exist. If I didn’t have something to sell in the form of art, I probably would refrain from using social media. If you’re going to self-publish, you have to take advantage of every cheap promotion. If it is free, it is for me.

Answering interview questions can often take a long time! Tell me, are you ever tempted to recycle your answers from one to the next?Ā 

I haven’t had too many interviews, but that seems like a good problem to have—the temptation of recycling. I can recycle certain things if they the questions are too similar.

Interview with Sarah Marie Graye

Interview with Sarah Marie Graye, author of The Second Cup

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

My first novel was an attempt at ā€˜chicklit’. It was awful because I couldn’t write happy characters so they came off as fake. Two of the characters I created for that novel were developed into characters for The Second Cup though, so the process was worth it. I also completed my chicklit novel, so I knew I could finish one – which was a great psychological stepping stone.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

I would love to write that quickly!Ā It just takes me longer to get my ideas on paper. I hope to get faster with each novel as I become more accomplished as a writer.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

I have ADHD, so my approach to writing is a little unusual. I write snippets at they occur to me and then piece them together afterwards. I use an app called Evernote for my snippets – which I sometimes record as me speaking rather than writing. I also use it for images that inspire my ideas. About once a week I go through Evernote and paste different snippets into my manuscript. I build chapters up from these snippets as they start to connect to each other, which seems to happen naturally, so I guess that’s my subconscious working on my ideas.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I studied an MA Creative Writing in order to write The Second Cup so I had my own personal beta reader in my supervisor! Since being published, I’ve formed friendships with other writers whose work I respect who offer editorial services. My plan for my second novel is to have three or four ā€œeditorial beta readersā€ before the final edit. I admit there’s a temptation to ask bloggers who loved my first novel to beta read my second, but I’d rather ask them to read and review the final version.

If you could be one of your characters, which one would it be?

This is really difficult because each of my four main characters in The Second Cup is a representation of me in some way. The one least like me is Olivia, but she goes through the most positive transformation, so I’ll choose her!

Did you discover anything about yourself while you were writing your novel?

I believe I’ve become more empathetic. I created four characters that sometimes behave in ways I don’t personally find acceptable (for example, cheating on a partner). But it was important to understand the ā€œwhyā€ of their behaviours in order to paint rounded characters. Looking into why someone behaves in a way I wouldn’t opened up all sorts of questions about my moral framework – and I realised I can’t judge other people by it; it’s a framework for me.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

I’m a fan of real books – my preference is for paperbacks as hardbacks can be too heavy! But the ebook revolution has allowed so many more writers to be heard, which is amazing. I think ebooks are useful if you’re trying out new authors – but I buy a paperback version of any ebooks I really enjoy.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind?

I read a lot of what has recently been named ā€œuplitā€ – uplifting literature where the characters go though a mental or emotional transformation. I think many authors have been writing these sorts of stories long before the term came along, but it is making it easier for me to discover new ones now the term exists! Maggie O’Farrell is a perfect example of such an author – her flawed characters are so beautifully drawn that you love them for everything they are.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job If you manage your own profile, please tell me as much as you are comfortable with in regards to your preferred platform and an estimate of time you spend doing it [and whether you like doing it!].

I find the marketing side of social media hard work. I like to use it to chat to other writers and share ideas, but pushing my novel onto people makes me feel uncomfortable. My preferred platform is Twitter because I think it’s the best for getting involved in random conversations that can trigger ideas. It’s also where I look for bloggers who might be interested in reading and reviewing my novel.

Answering interview questions can often take a long time! Tell me, are you ever tempted to recycle your answers from one to the next?Ā 

Ha ha ha! Even if I’m giving the same answer to the same question I’ve answered before, I try to answer it in a different way. I leave answering these ones until last, so I’ve already found the right tempo for my answers in answering the other questions. (I answered this question first!)

 

Interview with Jaime Questell

An Interview with Jaime Questell, author of By a Charm and a Curse

Jaime Questell is a writer and graphic designer from Houston, Texas. She has also been a bookseller, a professional knitter, a semi-professional baker, and an administrative assistant. None of these jobs involved wrangling corgis, which is quite sad. She lives in the ā€˜burbs with her husband, children, and pets.

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite?

By a Charm and a Curse is my first published novel, but of my other manuscripts, the one I’m currently working on might be my favorite. It has witches and a good dose of the Mexican culture I grew up with. It’s set in a fictional Texas town that’s buried in secrets, and it’s been so much fun coming up with all the components.

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

OMG, that first novel! It is so, so rough. It’s definitely beenĀ gathering some cobwebs, but I don’t want to write it off forever. I’m thinking it could be reshaped one day, or potentially be harvested for dialogue (because there’s some funny stuff in there, if I’m remembering correctly).

 

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

I am so awed by the people who have an unending supply of ideas, but I definitely like to let things percolate. I like to make hidden Pinterest boards where I can post images that relate to the idea I have, so I can remember them later, but for the most part I just let the idea simmer in the back of my mind while I work on other things.

IĀ have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

Writing time is limited and precious, so I’ll write anywhere: at home, at Starbucks, while on my lunch hour, waiting for an oil change. And I prefer my laptop to write, but again, because I need to write whenever and wherever I can, I’ll write on my phone or in one of the bazillion notebooks I usually have on me. That said though, I do find that if I’m stuck, writing by hand usually works to get me unstuck.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I am incredibly lucky to have four critique partners who go over my work before I send it to my agent. I’ve worked with them for years, and their commentary is always on point and insightful. And I don’t work with an editor until my work is sold, but my agent is very editorial, which is fantastic. She really knows her stuff, and makes my writing better.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

Everywhere! My favorite indie bookshop is Murder by the Book in Houston. They have a great selection and a knowledgeable staff, and I love shopping there. But I also like to utilize the library. I recently discovered Overdrive, and it’s made my audiobook habit much easier to feed.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and do you have a favourite author who sticks in your mind from:
1. childhood? When I was a kid, I could not get enough of The Baby-Sitter’s Club. Every birthday, every bit of money I was able to save went toward those books. And then, when I was a little older, it turned into a Sweet Valley High obsession. Those felt so taboo after the BSC, I mean, there was kissing.
2. adolescence? The movie version of Jurassic Park (and let’s be honest, Jeff Goldblum in Jurassic Park) got me hooked on Michael Chrichton, which led to me reading everything I could get my hands on. Around this same time I became obsessed with the classics, but, of course, never the classics assigned to me in class. I loved Alexandre Dumas, and read The Count of Monte Cristo and The Three Musketeers over and over.
3. young adult? I was working in a bookstore at this time, and that was pure temptation. I read everything and anything, but Sophie Kinsella and Louise Rennison were favorites at the time.
4. adult? I love to read across genres now. Some of my current favorites are Leigh Bardugo, Holly Black, Kelley Armstrong, Heidi Heilig, and Victoria Schwab. Basically, I’ll read anything that sounds good.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. YouĀ manage your own profile, please tell me as much as you are comfortable with in regards to your preferred platform and an estimate of time you spend doing it [and whether you like doing it!].

I’m too much of a control freak to relegate to anyone else. But I agree that social media is so overwhelming! It can be hard, feeling like you have to do everything. I think it’s better to choose one or two platforms and do them well. So I choose to focus on Twitter and Instagram. Every now and then I start to think that I should have a Facebook author page, but then I remember how much it would stress me out and that the page would suffer. I’m going to quote Ron Swanson from Parks and Rec here and say, “Never half-ass two things. Whole ass one thing.”

About By a Charm and a Curse:

Le Grand’s Carnival Fantastic isn’t like other traveling circuses. It’s bound by a charm, held together by a centuries-old curse, that protects its members from ever growing older or getting hurt. Emmaline King is drawn to the circus like a moth to a flame…and unwittingly recruited into its folds by a mysterious teen boy whose kiss is as cold as ice.

Forced to travel through Texas as the new Girl in the Box, Emmaline is completely trapped. Breaking the curse seems like her only chance at freedom, but with no curse, there’s no charm, either—dooming everyone who calls the Carnival Fantastic home. Including the boy she’s afraid she’s falling for.

Everything—including his life—could end with just one kiss.

 

Buylinks: https://entangledpublishing.com/by-a-charm-and-a-curse.html

Author Links:
Author Website: jaimequestell.com
Author Twitter: http://www.twitter.com/jaimequestell
Author Instagram: https://www.instagram.com/jaimequestell/
Author Goodreads: https://www.goodreads.com/author/show/15396319.Jaime_Questell
Author Pinterest: https://www.pinterest.ca/jaime_q/
Newsletter: http://jaimequestell.com/events/

Review: Sara Bernard – Goodbye, Perfect

Goodbye, Perfect
Sara Bernard

Eden can depend on Bonnie for being there and holding her up. But now Bonnie has run away with her boyfriend, and Eden doesn’t know which secrets she should be keeping. As Bonnie gets further and further away from Eden, Eden is forced further into her lies. Can Eden bring Bonnie home without betraying her trust?

I’m not sure how convinced by this novel I was. I wanted to get more of a sense about Eden’s background, but I appreciated that the author didn’t want to make a big deal out of it, because the whole novel was really about how far you would go to keep a secret. There were touches of romance between Eden and Connor, and attempts to explore the sometimes complicated nature of families, but most of the novel was focussed on Eden’s stubbornness. I never felt a real breakthrough in her personality, despite the softening she displayed later.

There could have been more action to keep my attention in the first part of the novel. I never felt like Eden was going to tell, so I didn’t feel much of a problem as Bonnie got further and further away from her home. I got to page 36 and commented to my partner that nothing seemed to have happened yet.

Something that you are told about frequently in foster care training, or as a psychiatric patient, is that you have to warn people that you can’t actually keep things a secret – if keeping the secret will harm them, or others, you are required to tell someone who can act to keep the person in question safe. Teenagers find this hard to understand, probably due to peer pressure & influence.

I felt pretty betrayed at the end honestly. I don’t know how I felt about the whole Jack-Bonnie situation either. I agree that he was in a position of power, and that he shouldn’t have abused that power. How could Bonnie be so naive? She seemed to have plenty of book-smarts, but no common sense. Not to mention the lack of responsibility of the school. Oh! And I wasn’t convinced that Jack was ‘grooming’ Bonnie. I agree that he probably didn’t feel the same star-struck love for her, but he might not have been a paedophile. Consent is a tricky thing – make sure you are both consenting ADULTS before doing anything…dodgy.

I’m giving this 4 stars.

Pan Macmillan | 13th February 2018 | AU$16.99 | paperback

Review: Short Stories, Because You Love to Hate Me (ed. Ameriie)

Because You Love to Hate Me
Editor: Ameriie

Leave it to the heroes to save the world—villains just want to rule the world. In this unique YA anthology, thirteen acclaimed, bestselling authors team up with thirteen influential BookTubers to reimagine fairy tales from the oft-misunderstood villains’ points of view.

I confess, I read the first two short stories and almost gave up on the whole anthology. Neither were in a style I enjoyed. A book of short stories was never going to be my favourite read. You will remember from the time that I was more enamored with Mercedes Lackey that I read a lot of short stories. I usually like to use them to pick out some new authors to test out, but honestly at the moment I still have novels left over from last year to review and it’s just not going to happen.

I recognised two of the authors here – Adam Silvera (They Both Die in the End) and Nichola Yoon. I wouldn’t say that any short stories really shone out as amazing, but my pick would be Julian Breaks Every Rule by Andrew Smith. Let’s just say it has a lot in common with Breaking Butterflies. I wouldn’t want to ruin the underlying theme of it.

Honestly, I’m actually really envious that these vloggers got to request specific topics for their short story. Maybe I should start vlogging about my books? But I’m more of a writer of reviews. If you asked me to do this, I think I’d choose a reimagining of a dragon fairytale, clearly. Maybe the dragon from The Hobbit?

Let’s give this 4 stars, which is pretty generous from me for a book of short stories. Worth reading if you love fairytales, don’t mind short stories and are looking for some new authors to read.

Bloomsbury | 1st September 2017 | AU$14.99 | paperback