The Prom
Saundra Mitchell
Emma Nolan wants to go to Prom like every other girl, and dance. The only problem is that in small town Indiana there’s no chance she’ll be able to take her girlfriend the way she dreams of. Alyssa isn’t ready to get out of the closet, and her mom certainly doesn’t want to hear even a hint of her dating a girl. Alyssa’s in charge of organising the prom, so everything will be fine, right?
I found myself disappointed in the level of depth in this novel. Ok, the prom is cancelled because the protagonist wants to take a same-sex partner. Then it’s not cancelled, because Broadway stars come to save the day (they are of course pushing their own agenda). Maybe it’s because I’ve seen this concept basically done before by Julie Anne Peters It’s our Prom (so deal with it).
Emma gives up far too easily, and also forgives too easily! Emma living with her grandmother because her parents kicked her out is just written off as normal and hardly upsetting at all – which I doubt. And then the bad guys magically just reform from being told off. Likely? No.
It’s based on a ‘Hit Broadway Musical’. Why does it have to be a musical before it’s a novel? Why can’t they just write a decent book? Maybe it works better with singing and dancing, and having that playing in my head at the same time might have bumped up the reading experience for me.
I’m really happy to see big publishing houses like Penguin getting into queer fiction, I’m just sad that there isn’t an original novel here. 3 stars from me for an underwhelming read.

Penguin Random House | 17th September 2019 | AU$16.99 | paperback








I grabbed this from the library this school holidays and it was a light, quick read that was strangely compelling. I say strangely, because the plotting was really quite thin, and half the time Ana didn’t act in a sensible manner at all. Her being able to hold her breath under the water for a long period of time was somehow an important plot point that was used more than once.
I picked up this novel, read the first chapter, and then put it down again. Last night I wanted something light to read so I picked it up again. I find it hard to come up with things to say about it, because it wasn’t anything special. I think that’s its allure though because not everyone can
I loved Moosie! Aya’s interactions with him really brought her to life for me. Her friendship with Dotty made me feel a bit ambivalent, because Dotty made me feel angry in a way – how inconsiderate she is, and how nice Aya is in comparison. But I’m sure Aya wasn’t nice all the time either – what 11 year old can do that all the time?
You know, you’d think that fiction characters, particularly those that have adopted children, would learn to be more open about things. Every time I get a side conversation being held between parents I automatically think that something is going to go wrong – and unfortunately that’s normally the main plot point of the novel, just as it is here.
This novel was very, very slow and I considered giving up on it about half way through. Min and Noah are like two magnets that kept changing polarities. Oh, and then when the perspectives started changing I started feeling very irritated. Just stick with a side guys! Noah, please get over yourself, I get that you might have anxiety, but I don’t think you’re really convincing me with your character consistency.
The premise of this novel is interesting. When children get to the age of 10 or so, they lose their ability to feel things. So then at high school they are taught society’s rules and norms for how to behave. Somehow people’s brains have switched off the pathways to being empathetic for others. It’s a cool idea! I’m not sure how biologically possible it is at this point though.
What this novel brings home for me is the sheer amount of knowledge that white Australians have lost by effectively wiping out the native peoples. Tom is/was a poacher back in England and thus he understands a lot about animals and plants. In the bush he doesn’t understand anything though and he feels like everything is against him. Rowdy’s big mouth certainly doesn’t help him concentrate!
Rob is a lovely tortured character determined to be miserable. If only he wasn’t quite so, charming? about it? I’m not quite sure what went wrong, but his character just didn’t sing true for me. Maegan on the other hand I could understand, but ultimately it ended up being more about her sister. And the romance between Rob and Maegan was sort of off I guess. They go from kissing to having her shirt off almost instantly as far as I can tell. No, I’m not ok with that, even in a YA novel. It seems like their family circumstances caused them to skip forward in time and not in a good way.
This is the first time I have forced myself through a book of poems / short sentences. It looks like a thick, impressive book, but every page only has a couple of sentences on it. I found that while I connected with the characters, I just didn’t find it as immersive as a ‘regular’ book.