Tag Archives: 3-stars

Review: Karelia Stetz-Waters – The Admirer (N)

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The Admirer

Karelia Stetz-Waters

Helen Ivers has just become president of a tiny little college on the strength of her ability to fund manage and drag the college with her. In truth its a place Helen can escape to, since her life has spiraled beyond her control since her sister’s suicide. All she wants is to forget. Instead she comes face to face with a mystery in the form of two human legs shortly after her arrival. In a town where she is considered an outsider, its hard to know who to trust, especially when she can’t even trust her own mind.

It’s immediately clear that Helen is trying to escape something, and throughout the reading its clear that she is haunted by what happened to her sister. She doesn’t let that stop her from trying to do what is best for the college. Though she seems to face opposition from all sides, its clear she is used to being in a position dealing with the various egos of those around her.

I know it was supposed to be a sense of mystery with the killer, making it hard to tell who the killer was right up until the big reveal. But from roughly halfway through the book it seemed obvious to me who the killer was. There was a sense of age to the character that ruled out many potentials. And there were other clues that Helen herself missed in conversations.

The denied romance aspect was different. I haven’t really read many books that have that so well written. Normally its a token resistance then onward into a relationship. Here the tensions between Helen and Wilson is clear and stays throughout the novel. Even when Helen gives in there is a degree of withholding herself. It was a nice change to read.

It was a good read with solid psychological thriller elements. I did find the early sections from the killer’s point of view left my head reeling and that feeling of discomfort stayed with me. The later killer scenes didn’t have nearly the same feel. But the sensation of the hair standing up on the back of my neck from those earlier pervaded through my reading. Overall, I’m giving it 3 stars. It was a good read but not 100% my cup of tea. That’s more about me than the book though, if psychological thriller is your jam definitely give this one a go.

Review: Jason Segal & Kirsten Miller – OtherLife

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OtherLife
Jason Segal & Kirsten Miller

Simon has made it out of the OtherWorld/OtherEarth, and is aiming up to defeat the Company who started it all. But he’s somehow on the run again, but this time on a tropical island. IT looks like he might have some powerful allies

What was with Simon’s grandfather? Reality vs non-reality was really quite confusing. And the ending was too neat to be true. In a true dystopian setting, this wouldn’t have happened. I didn’t want there to be a happily ever after. I had engaged with the characters to the extent that I actually empathised maybe a little bit too much with the ‘bad guys’? I never liked Simon that much, so I would have been happy to see him killed off.

I also think the ending was shortsighted, because everyone knows that a democracy very rarely keeps a community presence for long. After speeding through these novels in the course of three days, I ultimately felt that the series was lacking. I feel no need to go back and reread them, which is quite disappointing. I hate books that have ‘oh, but it was just a dream’ and this novel is just too close to that premise.

I’m giving this novel 3 stars. The ending was hopeless, and the cliff-hanger from OtherEarth mostly set me up for disappointment. There are other novels out there to appeal to young people who love dystopian novels.

Review: Jenni Hendricks & Ted Caplan – Unpregnant

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Unpregnant
Jenni Hendricks & Ted Caplan

Veronica is the poster child for her parents – straight As and a prestigious college acceptance letter. She wears her chastity ring with pride, and her parents are glad that she didn’t turn out like her sister – married to probably-not-Mr.-Right with a third child on the way. When she gets pregnant despite playing it safe, her best friend of old has to get her out of trouble.

Oh dear. I had to look up the main character’s name. I at least remembered Bailey’s name, probably because I used to have a guinea-pig named Baileys (after Bailey’s Irish Cream liquor). Veronica on the other hand is a blank, boring slate with nothing unique about her. I mean, I felt for her having an unexpected pregnancy and having to drive a bloody long way to get an abortion, but it’s not like she was actually a 3D character I could care about.

Now, tell me how two high schoolers got away with stealing two cars. Yes, not one, but two cars! I thought Veronica was dumb and clueless, and I couldn’t believe Bailey tolerated her at all. Sure, we all dream of a roadtrip with our bestest best friends, but doing it with someone you don’t even really like? I don’t even get the reason why Veronica and Bailey broke up as friends (and I’m not sure they know either).

Veronica spends the whole weekend making sure that no one will know she ended up pregnant and then she ends up telling them all anyway! Just because she was new and empowered and didn’t care about that anyway, since she was so much more empowered and unafraid than she was before. I just couldn’t believe the 360 degree turn she made! She went to a lot of trouble to cover her tracks and then told everyone anyway, because she felt free and relieved.

Overall it was too much of a cliche. What was the purpose of this book, besides the “journey”? I knew from the beginning that she wasn’t going to change her mind. I knew from the beginning that they’d end up besties again. So why did I read it? Well, I was sent a free copy and I thought I should finish it.

TL:DR? The straight A girl gets pregnant and therefore takes a road trip with her ex-best friend to get an abortion, breaking multiple laws on the way. Also, don’t trust the dude not to get you pregnant. 3 stars from me.

Scholastic | 1st April 2020 | AU$16.99 | paperback

Review: Kalynn Bayron – Cinderella is Dead

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Cinderella is Dead
Kalynn Bayron

Sophia has been preparing for her debut for her whole life. Or at least, her parents have been trying to prepare her. Every girl may go to the ball three times and be chosen by a man – or her life will be forfeit. Sophia can see through the facade though, and she doesn’t want to be chosen by a man. She wants to be with Erin.

I liked the new twist on the Cinderella fairytale, but some elements left me feeling disappointed and short changed. I was happy that I had a lesbian protagonist. I was happy that she didn’t instantly fall for her new female friend… but that she lusted over her. Who doesn’t want something that is forbidden? I feel like that love was really just lust, and that’s far more preferable to insta-love.

I would like to know where Sophia got her blackness from. The kingdom seems tiny and racially white, so where did she come from? I get that she doesn’t fit in, and I get that that resonates with many people of colour at the moment. My problem is that the world that Bayron has built in this novel is too small to have more than one race of people. The ‘Kingdom’ itself just seems to consist of one large town?

I didn’t understand the ending with the Fairy Godmother. What did she get out of the status quo? Living forever doesn’t seem like a fabulous thing to me, particularly if you’re isolated. Also, the ending made it seem like if you can just topple the Man at the Top, everything will be breezy. It’s not that easy though. You can’t just make a hole in the power structure at the top, and expect everyone to come to the new system. I wanted to see more – how will this new way of living go? What other countries might they learn about?

Ultimately the ending let me down and I kind of regretted spending my time reading it. A light-hearted and unfulfilling novel. I can only hope that this author’s worldbuilding skills improve for her future novels – and if she’s still writing queer fiction, I’ll be reading it!

Bloomsbury | 1st September 2020 | AU$15.99 | paperback

Review: Hana Tooke – The Unadoptables

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The Unadoptables
Hana Tooke

The five oldest children of the Little Tulip Orphanage were left there in unacceptable circumstances. In their various ways they aren’t popular enough to be adopted – some of them going so far as to destroy the chances of their adoption so that they can stay together. After an escape and a little bit of magic, the five are free to make puppets. But will their past catch up with them?

There’s plenty of orphan and adoption stories out there. Batman is perhaps one of the most famous, but Batman at least has his beloved butler to care for him. Or, there’s A Series of Unfortunate Events, where the children did have parents, and now they are being ?watched? by Lemony Snicket. The original orphan story is Oliver Twist, or maybe Mowgli, and then there’s Anne of Green Gable. All of these stories have white protagonists.

How about Despicable Me? You don’t see people up in arms about the fact that all three girls are white. While I don’t think that it should be acceptable that there ONLY stories about white people being ‘adoptable’, I don’t think that too much should be called out about a period novel that is accurately depicting the adoption environment of the times. It’s a fiction, and it shouldn’t be interpreted too deeply. I liked it because it let these orphans not be defined by who adopted them, but that they were able to define themselves regardless of where they came from.

As a geneticist polydactyly is an interesting inherited trait. In fact, it is inherited in a dominant pattern – so someone who has one parent with extra fingers/toes will have a 50/50 chance of also having multiple digits. It’s also really uncommon in Caucasians. Oh! And a bonus fact that I found out was that there is a “Rotterdam registration form for congenital anomalies”. I can see the Dutch connection there as well.

I understood how Egg behaved in regards to finding his own family, but I was frustrated by the fact that the end of the novel was, well, just an end. Yes, the twists and turns to the end were horrifying, but gratifying as well. I also liked the ways the different sections of ‘evidence’ came together. It was almost left open for another novel, but not quite.

I read this in what was hopefully the way it was intended to be written – as a lighthearted romp of five unusual children in the best (and worst) act of their lives. Who doesn’t like a good orphan story? Upon clicking the novel into GoodReads however, I discovered a range of opinions that hadn’t even occurred to me. For a 19th century Gothic novel, it’s probably appropriate that the ‘unadoptables’ are disfigured (12 fingers), mute (selectively) and the wrong appearance (Asian). HOWEVER. There are many people who are adopted or who have been part of the foster system that have objected to this novel, and so in good conscience I can’t recommend this book.

Sometimes the curtain is just blue.

Review: Anthony Ryan – Blood Song

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Blood Song
Anthony Ryan

Abandoned at the gates of the Sixth Order, Vaelin Al Sorna will be trained as a deadly warrior devoted to the Faith and his Realm. His skills with the sword are unsurpassed and he drinks in the teachings of his Order effortlessly. But is there a larger game afoot? Who is the mastermind or even the enemy?

I’m sorry. I tried to love this novel because someone I knew recommended it as superior to a Sanderson novel. My problem was that the protagonist just wasn’t very smart and the story not that gripping. It’s a pretty typical male-focused fantasy with only a token female or two. I’m used to variety in my fantasy now, so this was unlikely to meet my expectations.

I needed the Blood Song to be more apparent. In fact, it was so minor that I didn’t think that Vaelin even needed it. Sure, he trusted it some of the time, but most of the time he seemed to do what was against it regardless. Not to mention his ‘training’ is not really training with how to use it. I felt like Vaelin would be better off collecting an entourage of people he owed than bending to the will of the King.

I found myself very frustrated by the ending. I didn’t fully understand why the framing was used through the story at any point. It meant that there were no surprises or suspense for Vaelin surviving unharmed. I can hardly believe that there are two more books about him! I’m not even sure I’m motivated to read the wiki pages to see what the final ending is.

It’s not a bad novel, it’s just indifferent for me. I perhaps enjoyed the training part of the novel (that somehow takes up the first half of the novel before any action happens) most, because the real ‘action’ wasn’t really action. The ending was a real letdown. 3 stars from me.

Review: Gabby Rivera – Juliet Takes a Breath

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Juliet Takes a Breath
Gabby Rivera

Juliet is going to take the summer to find herself. She’s just come out as gay to her parents, she wants to be a writer, and she thinks she’s a feminist. Enter Harlowe Brisbane – the ultimate authority on all things feminism and lesbianism. Surely if Juliet lives with Harlowe some of her empowered feminism will rub off, right?

This has no plot, and yet Juliet manages to get herself into trouble. She makes every bad decision that she possibly can, and forgives far more easily than I wanted her to. In a way that perhaps makes her more relatable, yet somehow things just work out for her in the end. Juliet can somehow do no wrong? Her flow-of-consciousness interspersed with passages of Harlowe’s doctrine didn’t do any favours to the feeling that I was just floating and being told the story, not shown it.

Because I’ve gradually been expanding my own queer and feminist language I understood the pain that Juliet was going through. What I did have a major problem with though was that you basically had to have a vagina to be considered a feminist. Having recently read Trans* Like Me, I felt like this novel undermined non cis-gendered people (cis-gendered means basically the gender you were assigned at birth matches the one that you identify as).

Maybe I’m old-fashioned, but one of the few swear words I just 100% can’t stand was the major cuss word of this novel. Every time I hear it I feel a bit dirty, and reading it just made me feel the same. I felt honour-bound to finish this novel though because it had a lesbian protagonist, but I felt uncomfortable the whole time. I don’t even want to type it!

We need more novels with underrepresented lesbian women of colour and maybe this novel is for some people. Maybe it could empower other people. It just wasn’t for me – a white, slim, cis-woman lesbian with a hangup on a particular swearword. I read it the moment it came in the door, but put off reviewing it for over a month. 3 stars.

Penguin Random House | 19th September 2019 | AU$16.99 | paperback

Review: Lynette Noni – Weapon

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Weapon
Lynette Noni

Alyssa has escaped from Lengard and into the bowels of the Remnants’ hideout. Hurrying to rescue a new Speaker, Alyssa instead finds herself doubting everything that she’s been told, and wondering what she can do to stop Vanik, because if she can’t, no one can. But is Vanik still her primary enemy? Are there other memories she is missing that could solve the puzzle of why she was left behind?

I was blown away by Whisper and I felt desperate at the end of it to keep reading Alyssa’s next move. I jumped at the chance to receive an ARC of Weapon and read it almost the moment it arrived at my door. Sadly, I was super disappointed in it – particularly the ending.

As a reader, I wanted to be able to predict more of the twists and turns that happened in this novel. That opportunity was snatched from me. Lyss was kept in the dark, and even when it seemed like she might be getting a handle on what was happening the reader didn’t get enough details to fill things in for themselves.

There’s so many actions that happen all at once that I felt like the book didn’t stop moving long enough for me to really think about what was going on. Another source of frustration was that I didn’t understand where Alyssa and Cami’s relationship came from. I know that they were beginning to be close for the first novel, but the level of codependency is squirm inducing. Cami seems like a bundle of pathetic whispers and every time she and Lyss had a scene together it made me want to claw out my eyes.

In my comment from the first novel I said: “I guess now I fear that the second novel will suffer from a gooey protagonist.” And indeed, Weapon is undermined by the love interest shown by Alyssa at any boy who seems to look at her nicely. And if it’s not her romance derailing the action, it’s someone else’s!

Having reviewed this novel, I’ve decided I dislike it more than I like it. I was just so disappointed. Read it so that you finish the duology, but don’t expect the breathtaking wonder that you might have experienced with Whisper. 3 stars from me.

Allen & Unwin | 1st November 2019 | AU$19.99 | paperback

Review: Rainbow Rowell – Wayward Son

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Wayward Son
Rainbow Rowell

Simon’s defeated the enemy and found true love. So why can’t he make it off the couch? Bunce and Baz are going to college and experiencing life, but Simon just can’t face it. What’s the point when you’ve achieved your life aim? Bunce stages an intervention – a road trip across America is just what they need.

Rainbow Rowell’s novels are usually a 100% love from me (Fangirl and Eleanor and Park). In fact, I often feel urged to reread Fangirl (has it been 5 years since I reviewed it already? wow!). When I saw this one in the publicity catalog I even told the publisher that I’d possibly kill to get my hands on it. With hype like this, and the avid fan following Rowell has, I had high expectations.

Somehow the nature of this novel is that you don’t become too attached to any of them, and unfortunately that’s what made Rowell’s other novels speak to me so deeply in the past. At one point a character was introduced and I wondered how they could possibly be relevant if they get mindwiped! Overwhelmingly I felt like there were too many characters that I needed to care about, and so I felt myself caring less about them overall.

You wonder at first what the main plot point of this novel is going to be. Surely it can’t just be following two magicians, a werewolf and a demon across America in a convertible? Nope! It’s not! But Simon, Bunce and Baz unpacking their feelings around having overcome the enemy from Carry On could have had more air time. If child soldiers are a theme that Rowell wanted to address, and PTSD, I wanted more of it. Less ‘fluff’ somehow. There’s being lighthearted, and then there’s just blatantly brushing off problems.

I found myself underwhelmed by this novel. I don’t know whether it’s because I hadn’t read the first book (oops) or that there was something inherently lacking in it. I don’t really understand why Simon is so confused about his relationship with Baz all of a sudden. I do want to go back and read the first book to see what I missed, and maybe identify what I really needed to know to enjoy this novel to its fullest.

Personally, I’d keep the wings. There are some other issues that are left unaddressed, such as Baz’s inevitable non-aging compared to his friends and how he’ll deal with that in the future. And Bunce’s overwhelming nature of, well, being Bunce. The novel ends on a cliffhanger, but I’m just not that excited for the third. 3 stars from me.

Pan Macmillan | 24th September 2019 | AU$17.99 | paperback

Review: Saundra Mitchell – The Prom

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The Prom
Saundra Mitchell

Emma Nolan wants to go to Prom like every other girl, and dance. The only problem is that in small town Indiana there’s no chance she’ll be able to take her girlfriend the way she dreams of. Alyssa isn’t ready to get out of the closet, and her mom certainly doesn’t want to hear even a hint of her dating a girl. Alyssa’s in charge of organising the prom, so everything will be fine, right?

I found myself disappointed in the level of depth in this novel. Ok, the prom is cancelled because the protagonist wants to take a same-sex partner. Then it’s not cancelled, because Broadway stars come to save the day (they are of course pushing their own agenda). Maybe it’s because I’ve seen this concept basically done before by Julie Anne Peters It’s our Prom (so deal with it).

Emma gives up far too easily, and also forgives too easily! Emma living with her grandmother because her parents kicked her out is just written off as normal and hardly upsetting at all – which I doubt. And then the bad guys magically just reform from being told off. Likely? No.

It’s based on a ‘Hit Broadway Musical’. Why does it have to be a musical before it’s a novel? Why can’t they just write a decent book? Maybe it works better with singing and dancing, and having that playing in my head at the same time might have bumped up the reading experience for me.

I’m really happy to see big publishing houses like Penguin getting into queer fiction, I’m just sad that there isn’t an original novel here. 3 stars from me for an underwhelming read.

Penguin Random House | 17th September 2019 | AU$16.99 | paperback