Reboot and Rebel (Reboot Duology)
Amy Tintera
Wren 178 is the oldest Reboot in the system. She died once, and it took 178 minutes for her body to reboot and become superior to a human one – no emotions, no problems. Wren’s favourite part of the job is training new reboots to kill ‘bad’ humans effortlessly. She always gets her first pick of trainees, and she always picks the ones that took a long time to reboot – only the fittest and hardest can survive. In a fit of confusion, Wren chooses Callum 22 to train, and then finds that she isn’t quite the emotionless monster she thinks she is.
I felt some confusion on why the virus was only in Texas. I didn’t get a sense of anything in the rest of the global landscape. It would have been better, I think, if this had just been set in a new world. I spent a fair amount of time wondering what the other states/cities of the USA were doing about the virus. Is there scope for a sequel where Wren takes on other states that treat reboots like property?
I had some unanswered questions. Why wasn’t HARC looking into why adults that caught KDV went crazy? I feel like since some of the drugs they were testing on the under 60’s (Reboots that revived under 60 minutes) caused craziness rather than obedience, and the adult link could be useful.
This is a successful perversion of the fact that in some countries, war has created ‘child soldiers’. The ‘civilised’ countries can’t believe that someone would do that to an innocent child – but Tintera takes that concept and makes it worse. You only need to be 10 to train to be a Reboot soldier.
There’s a whole lotta kissin’ in these novels. Sure, two of the characters eventually have sex, and sex seems to be a sort of substitute for love/feelings earlier in the series – but it’s not satisfying. It’s not even that obvious, so you could even give this to a teenager who isn’t quite comfortable with the idea of sex yet.
I have to say that I was very disappointed in the ending of this. Riley was dealt with far too calmly, and the escape from HARC unlikely. I guess that it seems quite straight forward that the threat could be contained. This fits the feeling of the Ruina series (reviews here) where the first book was a fantastic 5 stars, but the later ones left me cold with only a 3 star rating. So it’s a 4 star average for this one – fun to read, but not a reread.









This is a second novel that is set in the world of 

The opening scene of this novel took me off guard, because I didn’t really want to read about a self-absorbed rich kid who had a giant nose. I couldn’t have cared less about whether he was 6 foot and sunbathing naked on the lawn. I definitely couldn’t have cared less about the fact that his parents didn’t like him, and that his dad took his driving iron to his expensive, fancy gear.
Let’s start off by stating that this is not an easy read. This is a terrifying read. It is not comfortable or comforting. You’re going to want to put trigger warnings on it for suicide, bullying and child sexual abuse. This is an #ownvoices novel from this author, and the authenticity of the writing is heartbreaking in parts. It lead to this being a compulsive read for me.
I liked the new twist on the Cinderella fairytale, but some elements left me feeling disappointed and short changed. I was happy that I had a lesbian protagonist. I was happy that she didn’t instantly fall for her new female friend… but that she lusted over her. Who doesn’t want something that is forbidden? I feel like that love was really just lust, and that’s far more preferable to insta-love.
This book hurt me, because it had so many steriotypical ‘gay male’ behaviours in it. The main character is a normally flamboyant gay male who wears nail polish, sings and dances hilariously and isn’t sporty. Normally I hate steriotypes, but they are usually known for a reason. The fact that Randy’s head space shows his personality regardless of his outside presentation is important. Many gay people act straight to ‘pass’ as normal, and it’s nice to have a protagonist who can show what that’s like, and how hard it is.
This book left me with an incredibly bad mouth feel. I felt violated and unsatisfied, and frankly a bit offended! This is a vague retelling of Macbeth, but Macbeth was time-appropriate, and Shakespeare! Death and madness are no longer ‘normal’ (and therapy will help with avoiding both of those things).
This has what could be called a ‘slow burn’. There’s no real action, and no real climax to it. There are hints at the Orzone behind the Emperor Mage but that’s about it. It’s like the first Harry Potter books where the focus was on learning, and let’s face it, those books were my favorites for that reason!