Alcatraz verses the Evil Librarians
Brandon Sanderson
The Smedrys are blessed with Talents. Or cursed, depending on who you ask. Alcatraz Smedry has a powerful Talent that has meant that he has broken everything in his foster homes so far. When he receives a bag of sand for his birthday, this starts him on a quest with his very odd grandpa and a series of even odder cousins – with talents from falling to waking up ugly!
In these novels, Sanderson breaks all the writing conventions, especially the ‘fourth wall’. The author (Alcatraz) is writing these memoirs and is fully aware of how writers make novels and how to make readers cry out in anger! Particularly with meandering introductions to chapters or going off topic, or just generally being irritating. It’s a style of writing that is either going to drive you crazy or have you laughing out loud.
For example, in the fourth novel, Alcatraz versus the Shattered Lens, Alcatraz starts skipping chapters and labeling chapters odd things. He works his way through all of the writing conventions and mixes them around. He skips parts and pretends that the chapters just went missing!
Strangely for a Sanderson novel, I probably wouldn’t reread these ones urgently. I’m thinking I’m too old and jaded for these novels. I’m perfectly happy to accept writing conventions and roll with them. We all know how I feel about using stupid languages (see my scathing reviews of Munmun and Storm-Wake). I’m going to test them out on my 9.5 year old reader and see how she goes with them.











Ugh, take me back to the older style Elemental Master’s series! I don’t care that they were ‘just’ re-imagined fairy-tales. Yes yes, it’s important that the psychics and the clairvoyants (and Celtic Warriors) get airtime (readtime?) but give me some air elementals any day. None of the other Elemental Masters get more than one novel devoted to them, so why should Nan and Sarah (3 books and counting)?
It’s a novella, so it won’t take you long to read at all. Sanderson still manages to fully realise his characters and build a vivid world within a world for the reader to look at. The premise itself is rather mind-bending and I tried not to think about it too hard. You can’t change the past… but you can view it and hope you don’t change it too significantly.
If you couldn’t tell from my introduction to this series, I’m thoroughly unimpressed with it. The characters are sketchy, the concepts have been overworked (see ‘
This was a clean teenage fiction with a tight-timed plot line and some chaste kisses. It was refreshing to read something that didn’t really want me to think too hard. I easily swapped between the perspectives of June and Day. Day watching over things actually reminded me strangely of Aladdin! Things often moved very quickly and so the characterisation sometimes suffered. The interactions between June and Day still seemed genuine though.
What am I supposed to feel about this whole concept? I read that this is based loosely around ‘The Tempest’, which now makes the chapter/section headings make sense. Reading it just as a novel without this novel makes the reader confused as to why things are Act 1, Scene I etc. Why has the author chosen to do this? I honestly have no idea why the author did ANYTHING in this novel.
I very happily read this book and described it in great detail to my almost-wife. She found it a bit creepy thinking about the fact that some people who are vegetative are actually in there, and can’t communicate! The technology is getting better, and maybe eventually we will be able to identify people who are still present in their helpless bodies.
Slow, this novel was very slow. Perhaps that’s because similarly to 

