Five Years From Now
Paige Toon
Nell wants to sleep on the bottom bunk when she visits her dad – there’s no way she’s giving up ‘her spot’ for Vian. But Vian’s mum is really nice too – and Vian and Nell have the beginning of a great friendship, or maybe more than just friends. But is there actually a spark? And what does it mean that they are as good as brother and sister?
No, I don’t care about your relationship, Nell and Van. Yes, I think you’re pathetic. Move on already. It might be a ground breaking romance but that doesn’t mean that without it you’re worthless. It could be ‘one true love’ or it could just be you poking a sore because you’re too afraid to move on. Oh, and not to mention that the cheeky Piskies just seemed to be a complete setup.
I hated the perspective in this novel. The novel starts out with Nell telling her son Luke a story, but then somehow at the end jumps into the future. It’s not clear where Nell’s memories begin and end. This novel reminded me of City of Girls, where the main character just seems to float around in her own mind and already knows the outcome and takes foreshadowing shots into the dark to confuse the reader. Except that at least in City of Girls the main character had a spine. I’m not sure Van does.
What I enjoyed about this novel was that it showed the hardships on divorced parents, not just their children. No, just because you’re having a baby doesn’t mean it’s a good idea to get married (or offer to get married). What about an abortion? It didn’t seem to cross any of their minds. Sometimes there isn’t a one right path – and that’s ok too.
I started and finished this novel reluctantly – my phone battery was dying and I couldn’t be bothered getting a different book from my suitcase to read. 2 stars from me. Don’t bother with it.

Penguin Random House | 30th April 2018 | AU$29.99 | paperback








I went from being really excited about this novel to being really disappointed in it rapidly. The writing style irked me. I read the first two chapters desperately hoping that the writing style was just an introduction. I didn’t find Layla a believable character. At times it seemed like the novel was just intended to explain some parts of Muslim culture, such as that women don’t need to pray at the mosque when it’s ‘that time of the month’. This detail was included in a way that just didn’t feel natural.

Slow, this novel was very slow. Perhaps that’s because similarly to 
The detailed gore at the beginning of the novel was cringe worthy and my feeling was that it was unnecessary. The torture might have been intended to make things feel Gothic and gloomy, but instead I just felt revulsion. I also couldn’t work out why I should care about David and Thomas. What were the men’s purposes in this novel?
Eve is a naive girl who you want to like as a protagonist. But without more from her it is impossible to do so. I get that it is difficult to get inside her head – that’s why the EPO has Holly after all. But that’s why there are split perspective chapters! I much preferred Bram as the alternative protagonist. Good work Bram on having an actual personality, but you couldn’t carry the novel by yourself when there were other fatal flaws.
Bobby’s devotion to his mother is admirable, is is his devotion to his rather difficult little brother. However, a child should never be put into this position. I can’t believe that the professional carer for his mother is such a numskull. Or actually I can. Health professionals that aren’t nurses aren’t always as well trained as they could be.
I really wish I hadn’t wasted my time on this novel. I started reading it once and then put it down. I was feeling like a fantasy novel so I picked it up again right from the beginning. More fool me. The action is surprisingly slow, and the main character Raven isn’t inherently likable. I liked Eighth, but his mind was so fragmented that I could barely follow along what it meant to be a Nahx.