Nothing Tastes as Good
Claire Hennessy
Annabel didn’t know what to expect when she dies, but it wasn’t coming back to fix another girl’s life. Julia is fat and initially that’s all Annabel can see to fix. Slowly Julia teaches Annabel about other things in life, while Annabel helps Julia in her own ghostly helper way.
I really like how the story develops with only hints of Annabel’s problems. It keeps the reader interested, and then invested in both of the characters. Julia too takes some time to get used to, and most of the time I found myself sympathising with her and wishing that she had more guts!
Gavin is actually surprising bright in picking up clues. He’s slow (a bit like all teenage boys it seems), but Julia is pretty good at hiding things.The theme that comes through is the importance of having friends, real friends, to help you survive the most stressful periods of your life.
There is a lot of negative body shaming here, but at the same time it is balanced out by what Annabel can see going on in other’s heads. There’s also the sensitive references to rape, or potential rape. Approach with caution if you are easily triggered, but enjoy anyway because of the ending.
I’m going to take a leap here, and give it 5 stars. I have a feeling that I’m going to want to read it again when I want something with a complicated ending and complicated real feelings that have conclusions.

Bonnier | August 2016 | AU $19.99 | Paperback








Kendra! I love you! I love you every time I read you. You’re plucky, irritating, and yet becoming more human all the time. I do wish you weren’t so stubborn, you should know that your friends will go first, but ah well. Everyone has their blind spots right? [How punny!]
Lily is very… cold. I found it difficult to empathise with her because she seemed unchanged by deaths she had caused. Is it simply a side effect of being a witch? Or is it something else about her character that makes her too much like Lillian. They are the same person after all. I don’t think it was all about Lillian manipulating Lily, much as Rowan wanted to blame her.
There is no feeling of Merlin as a character as she begins simply as a construction of impersonal memories. The novel is plot based, and moves at a relatively fast pace once Merlin encounters other inhabitants of the desolate world. As long as you read this lightly without too many preconceived notions of how an apocalyptic novel should go, you will enjoy it.
To an extent I felt like I didn’t know Lily, despite having things from her perspective the whole time. She is a crucible I suppose, so being empty is part of it. I did feel like her character progressed though. Rowan on the other hand felt very static, although his attitude to Lily changed. Not that there is anything wrong with that.
Considering that there are some situations that could potentially be huge, the writing is sensitive, nuanced, and realistic. It’s just as good as, and perhaps better than, this author’s other novels (I have reviewed
What might be a fruitless task is explored sensitively and in a reckless pace that makes you want to keep reading. It’s like the aftermath of a train wreck where you think the worst has happened, but then more things keep popping up.
Here the multiple perspectives worked quite well, but not flawlessly. I could have done without some in favour of some more from Lily’s captor. I imagine that he would have been the hardest character to write, as he needed to be realistic and yet creepily absent at the same time. He reminded me of
This novel is basically built on the idea that monsters are more interesting than heroes. Isn’t that true? Monsters always get to have more fun! I’m not sure that’s exactly true for the entirety of the novel, but true feelings come out towards the end.
This book greeted me on my front doorstep, and I responded by reading it straight away despite my current efforts to catch up on reading novels again. Boy was it worth it.