Spotlight: Chopped Scene from The Trillias Gambit by J. V. Hilliard

Today we welcome back Joe Hilliard, a prolific writer who has previously been showcased here! There’s an interview with Joe here, and a previous chopped scene from The Last Keeper here.

This time I’m sharing a deleted scene from Joe’s newest work in The Warminster Series, The Trillias Gambit. 

“Don’t bite your thumb at the vermilion,
for to survive would be one in a million.”

– The Ballad of Eldwal

IT WAS MIDDAY, and King Godwin had been summoned to the walls by his guards amidst a great fanfare and ringing of bells, as was customary to greet a notable arrival to the city. Godwin saw them first from the battlements of the great castle, approaching at speed across the plains. For a brief instant, he worried that it was a military unit, but the numbers were too small and they flew the white flag of peace, as well as their own colors.

He recognized them immediately. They were flying the crimson banner of the Vermilion elves, a recluse race whose eyes and hair matched the hue of their standards. They were riding their signature horses, powder white stallions that had well-earned reputations as the finest mounts in the whole of Warminster.

Godwin was already in a sour, gruff mood from court the day before, and the sight of the Vermilion banners flying high in the wind threatened to push him over the edge. He paced the battlements for several minutes, his brow furrowed and his footsteps heavy as he retraced the same path backwards and forwards while the horsemen grew ever closer. And then, as though he’d arrived at an important and irreversible decision, he leaned over the battlements and spat on the grass far below. He hustled back inside and rang the bell for his servants before examining his surly visage in a looking glass. His face bore the telltale signs of fatigue, but it still projected the calm, regal authority for which he was known.

There was a sound and some movement from the hallway, and Godwin noted the arrival of Meeks Crowley, his personal butler. Crowley was a skinny human, standing over six feet with brown hair, brown eyes and a closely managed moustache. His bony frame was hidden by his servant’s tunic, thick boots and gloves.

“Sire?” Crowley said.

“Ah, Crowley,” Godwin replied, offhandedly. “Please arrange for a welcoming party to receive the Vermilion contingent at the gates.”

“Of course, sire.”

“Damned Vermilion.” Godwin shook his head, anticipating ill omen from them. “A visit from them is never good.”

“Quite, sire,” Crowley simpered. His eyes were watery, as though he’d just received devastating news, and he seemed to hang on to every word that the king spoke as though it was some sort of holy decree that had to be taken down for the benefit of future generations. “They rarely bother with any race, let alone humans.”

“Remind me,” King Godwin asked, “when was the last time that we had dealings with the Vermilion?”

“It’s been a generation, sire” Meeks replied. “Back when your father was on the throne. “The last time they were seen in this part of the realm, it was to help Sir Hertzog Valkeneer to prepare to defend the Bridge against a great alliance of trollborn tribes.”

“Ah, the Battle of the Bridge,” King Godwin remembered. “You’re correct, of course. The attack was repelled through an alliance between the Valkeneer and the Raven elves. We must make the Vermilion feel welcome. Go, send the welcoming party. And have my wife and the nobles summoned to court.”

“Of course, sire.”

Quick Reviews of Non-Fiction Business Books #2 (S)

SMART Time Investment for Business: 128 ways the best in business use their time – Kate Christie

I’m sorry but I didn’t love it. The 128 ways to best use time felt very basic and repetitive, some were also not explained enough. The book is meant to be short and to the point, and “time saving” which was fine. It then had a bunch of quotes from each business person after each point. I don’t mind a few quotes, but that many seemed to lose its point with not enough context. I find that quotes can be very contradictory, there seems to be a quote for every situation. There were a few short case study examples but again not enough context to really get the point across. The 128 ways to save time were not new tips. Maybe you’ll pick up a handful of new tips by the end but that about it. I recommend it for anyone who is not an organised person. 2 stars.

Superminds: The Surprising Power of People and Computers Thinking Together – Thomas W. Malone

This is an intriguing book that explores the concept of collective intelligence. While not aligning with my typical reading preferences, it managed to capture my attention to some extent. The beginning of the book was challenging to get through, but it improved as I progressed. Some sections stood out as particularly engaging, shedding light on the possibilities and implications of collaboration between people and machines. However, I found it lacking in substantial takeaways and not engaging throughout. It was very general and referred to already fairly outdated technology. I felt this book was much longer than it needed to be, with lots of repetition and multiple examples illustrating the same issue. Overall I give it 2 stars. It was not intriguing to continue to read it.

So Now You’re a Leader: 10 Precepts of Practical Leadership – Peter Stokes and John James

Since the book is quite old, it’s hard for me to give it a proper review. I guess it was okay back in the day, but in today’s world, it feels pretty outdated. The principles it presents are still relevant, but the stories and writing style feel old-fashioned. It’s written in a very textbook-like manner, and it even throws in theories like “SMART” goals and Maslow’s Hierarchy of Needs. It’s a bit dense and dry, but the points it makes about being a better leader are valid and serve as good reminders. However, there’s nothing really new or groundbreaking here, just the basics. I’d give it two stars.

Interview with Jackson Simiana, author of “Starfall”

An interview with Jackson Simiana, author of “Starfall”

What/who is your favourite dragon in literature?

Definitely Caraxes the Blood Wyrm from Fire & Blood / House of the Dragon. In fact, I have a big tattoo of him up my arm. I think he’s phenomenal and so uniquely designed. I also love Drogon, Daenerys’s big, loveable boy, for his raw power.

I use an ‘egg rating’ system here on The Cosy Dragon when I rate books. Do you have a favourite way of eating eggs? I’m partial to fried eggs, with a base of rice and some spicy sauce.

I’m vegan, so that makes answering tough… There are great scrambled egg substitutes however!

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite?

Probably my first novel, Starfall. It is sort of my brain baby. And while there is a lot now that I would change if I had the chance, given I have learned so much more and would adjust the story arcs etc, I am really proud of it given how expansive and detailed it is. I did heaps of research back in the day on advice for first-time writers, and so many people and authors said “don’t start with a sprawling epic fantasy!” And what did I do? Exactly what they told me not to do. But I think it paid off because it gave me the chance to create what I always wanted to and get my name out there a little bit!

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

I started writing when I was like 9 years old! So I don’t even know if the stories from back then are capable of being salvaged, mostly because they are blatant Lord of the Rings rip-offs.

Over the years, what would you say has improved significantly in your writing?

Reading more fantasy opens up my eyes to how other authors write, which I feel has been hugely influential. I think practice has helped me avoid the mistakes I used to make, like repeated words, too many adverbs, etc. I have also found that where I used to write much more as a “Gardener,” I am more of an “Architect” now. I plan the outline and scenes before I begin, and I do allow for creative freedom as it arises… but that way I can always ensure I get to include all the story beats that I want.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

Gosh, I wish I could do that. My first novella, Little Sparrow, was significantly shorter than my other works, but still took a good 6 months at least to write. I do too much editing on the fly and rewriting to be able to pump out novels so quickly! Plus, you have to let it stew. Writing and publishing so quickly must take some sort of toll on quality, I feel. I mean, look at Stephen King and R.L. Stine. 

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)? 

I always write on my laptop, and that makes it easier to write where I want because it changes daily. Sometimes it’s in bed, other times I grab a chair and sit in the sun. I don’t have any exciting place where I write unfortunately, like the top of a volcano or something.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I edit myself because I think editors aren’t always necessary, especially in self-publishing and if you have decent knowledge of things like grammar, punctuation, story beats, arcs, pacing, etc. Thankfully, I feel I do, and so never felt the need for one (plus, I’m a full-time student; there’s no way I’d ever be able to afford it!) I’ve found some great beta-readers through Reddit. I have some friends who also like to read my stuff before it’s released, plus some other self-published authors who I’ve gotten to know over the years and who help me out too.  My family basically all hate fantasy! I don’t know if any of them have even read my books *wipes tear*.

 I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

This definitely happens to me! Nothing beats a new book smell. Unfortunately, I do soooooo much reading for uni that I never have the brain capacity to read paperbacks anymore. I usually only listen to audiobooks now on my way to and from work. I’ve actually come to love it, because some narrators are amazing and breathe so much life into the characters.

 I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and have your tastes changed over time?

Definitely grimdark fantasy, my own genre of writing. I have always loved fantasy and horror, and authors such as Martin and Abercrombie have made me fall in love with the darker, more depraved aspects of humanity. I don’t necessarily enjoy the heinousness of it, rather how characters react to it. We live in a world surrounded by cruelty and malice, and I think that many creative works brush over this most of the time with fairy tale happy endings and good guys always winning, when in actual fact it is far from true! I also love reading horror, true crime, and science books, particularly on biology, palaeontology, and evolution.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. What do you do?

I manage my social media all by myself. It can be a bit draining, especially when it feels like you do a lot of work for zero result. But it is what it is- we are a crowded market, and it takes a lot to break through. So I am just happy that I get to share my works with some rather than none. I spend perhaps only an hour or two a week doing social media, whether it’s adding stuff to Instagram, author updates on my website, sharing sales, etc. Nothing too special, really.

 Answering interview questions can often take a long time! Tell me, are you ever tempted to recycle your answers from one to the next? 

Never! Gotta stay true to it.

About the book

“Alyria is a land in turmoil. Corrupt kings and cutthroat courtiers in the south, disease and turmoil in the middle kingdoms, and a violent invasion along the Broken Coast. Peasant superstitions blame the chaos on the return of the bleeding star, but the ramblings of the lower classes are of little concern to the cold rulers of Alyria and their political games.

A series of childhood traumas keep disgraced princess Katryna Bower away from home for years until a plot to assassinate her parents comes to fruition. Peasant boy Tomas is confronted with the true horrors of war when he and his best friend are conscripted by a dangerous captain to fight against savage invaders from across the sea. King Emery Blacktree will do anything to avoid civil war, but will his sickly wife be able to accept marrying off their only daughter to a descpicable prince, all in the name of peace?

As the tapestry of the world is torn apart, complex and intriguing characters are forced to make tough decisions and survive the unthinkable in a fully-realised grimdark world. The Final Ruin is coming.”

Find it on Amazon and GoodReads

Review: Carl J. Schramm – Burn the Business Plan (S)

Burn the Business Plan
What Great Entrepreneurs Really Do
Carl J. Schramm

“Schramm explains that the importance of a business plan is only one of the many misconceptions about starting a company. Another is the myth of the kid genius—that all entrepreneurs are young software prodigies. In fact, the average entrepreneur is thirty-nine years old and has worked in corporate America for at least a decade. Schramm discusses why people with work experience in corporate America have an advantage as entrepreneurs. For one thing, they often have important contacts in the business world who may be customers for their new service or product. For another, they often have the opportunity to strategize with knowledgeable people and get valuable advice.”

I quite enjoyed this book and I’m giving it a solid 4 stars. It provides a refreshing take on business and entrepreneurship, shedding light on the real struggles in a down-to-earth way. The stories are cool, especially the ones about businesses hitting the skids after years of hustling – kind of a bummer but definitely eye-opening.

Now, let’s talk real talk – the book had a bit of a slow start. The “why start a company” section? Meh. I could’ve used less of that. But hey, it rallied and got awesome towards the end. It’s a gem for anyone in the business game, especially if you’re just starting out. Forget the textbook stuff; this is some more realistic ideas of building a business from scratch. It is a reflective and impactful piece that can dispel numerous misconceptions about entrepreneurship, the pleasures of managing a business, and various other aspects.

If the idea of an MBA ever creeps into my mind, I’ll flip through this book again for a reality check. If you’re hustling in business or dipping your toes, this book’s got your back. If you love entrepreneurship, this is definitely the book for you! It’s not a perfect five, but it’s damn close and definitely worth a read. 4 stars.

Review: Bina Venkataraman – The Optimist’s Telescope (S)

The Optimist’s Telescope: Thinking Ahead in a Reckless Age
Bina Venkataraman

“A trailblazing exploration of how we can think more strategically and effectively about the future–our own, our family’s, and our society’s. Many of us never learned–or have forgotten–how to make smart, long-term decisions, so we avoid making them. In a world where immediate satisfaction is the norm, it’s easy to do. Whether it’s decisions about our health (our chronic overuse of antibiotics has triggered a shocking rise in immunity to them), our finances (20% of us have nothing saved for retirement), or our jobs (we slash R and D to improve short-term balance sheets and then can’t keep pace with competitors), we avoid mastering the skills to make smart choices about the future. Yet today more than ever, we need to understand how to make such choices–for ourselves, our families, and the world.”

Considering that the book is titled “Optimist” it did not leave me feeling optimistic, as it primarily focuses on a pessimistic view of the future. While I comprehend its message, it fails to inspire motivation for future action.

Despite some historical tales and scientific insights, the book’s structure feels all over the place, leaving you a bit lost amidst the mishmash of stories tied to future thinking. It does have its engaging moments, but there are also some political and dull sections.

The book doesn’t deliver on its promise of offering tips on staying optimistic and thinking ahead, as suggested by its subtitle. Instead, it takes a gloomier approach to what’s coming our way. If you’re looking for strategies or fresh ideas on changing your mindset when dealing with current and future challenges, you won’t find them here.

In a nutshell, “The Optimist’s Telescope” may leave you feeling a bit let down, as it doesn’t provide the practical guidance or inspiration needed to tackle the uncertainties of the future, although a need to discuss the topic. I’d give it a 2.5 star rating.

Guest Post from Sara Hosey – “Only Connect!”: Ideas and Inspirations

Guest Post from Sara Hosey

Sara Hosey is the author of three young adult novels: Iphigenia Murphy, Imagining Elsewhere, and Summer People. Her short fiction been shortlisted for the Katherine Anne Porter Prize and the American Short Fiction Halifax Ranch Prize and has appeared in journals like Cordella Literary Magazine and Mudroom Magazine. She is a parent, a community college professor, and a tree enthusiast.

“Only Connect!”: Ideas and Inspirations

I often develop stories by thinking through a hypothetical situation or question. I was once in my local supermarket, for example, and for a split second I thought I saw something obscene on the flatscreen television about the checkout line. When I looked again, I saw that I had been mistaken; it was just an unappetizing shot of some squash. But I kind of laughed to myself and thought, what would I do if it had been an obscene picture? Would anyone else have noticed? Would I have continued to watch the screen to see if it cycled back around again? This situation became the opening for my story “Not for Everyone,” in which a mother character sees what she believes is a “dirty” picture in the supermarket. It freaks her out, and becomes the instantiating event of the story, which traces a daughter’s realization that although her parents are not unambivalently bad people, they are in fact profoundly dysfunctional, and, in many ways, hateful.

Similarly, sometimes a word or phrase or even a joke will come into my mind and that will be the anchor for a story, or I’ll hear or read about a concept, and I’ll ruminate about it until it works its way into a story. I came across an article one day that said that, before they were aquatic, dolphins had been land mammals. What? Dolphins had walked around on the earth? I found this amazing, and I incorporated it into my story, “Land Mammals,” in which the main character, Lexi, uses the idea of leaving behind one kind of life and moving into another medium, going somewhere that others cannot easily follow, as a way of grappling with the loss entailed by her mother’s dementia.

I am also endlessly inspired by my friends and relationships. I try to surround myself with people who interest and invigorate me. I thank many friends in Dirty Suburbia’s “Acknowledgements,” and some of them are people I haven’t spoken to, literally, in years, but whose lives or behavior or just general way of being impressed or inspired me somehow. I’m fortunate too, to have friends that make me laugh and who sometimes let me borrow their jokes, and they are acknowledged as well.

And it’s only now, as I consider the book as a whole, that I’m realizing how many of the stories end with two people, usually women, sometimes strangers, taking care of or supporting each other. Not all the stories end happily, and when they don’t, I think it’s because characters are left without that sense of being understood or belonging. I feel that short fiction is particularly well-suited for exploring this fumbling-towards-connection, and many of the authors whose work most inspires me—Kelly Fordon and Joel Mowdy and Jess Walter and Chelsea Bieker—so deftly conjure complex characters who try—and sometimes succeed—in breaking through. It’s what E.M. Forster called for, over a century ago: “Only connect!” To me, the most inspiring art is art that explores, and sometimes as a result enacts, this idea.

About the book

Dirty suburbias are working-class neighborhoods in which girls who are left to fend for themselves sometimes become predators, as well as affluent communities in which women discover that money is no protection against sexism, both their own and others’.

One young woman sets up her abusive, cheating boyfriend, hoping he’ll get arrested so that she can rescue him and win him back. A teenager arranges to meet up with an older man she’s met online playing video games; she brings a knife with her, just in case. A middle-aged divorcee attempts to rekindle a romantic relationship with her high school English teacher, who happens to be a former nun. A struggling academic falls in love with a Henry David Thoreau impersonator, and a well-adjusted grad student goes home for Christmas only to be repulsed by her family’s casual cruelty.

Despite the ugliness and injustice they face, as well as the failures of their families and communities, these characters often find relief in friendship and connection, and sometimes, even discover meaning and cause for hope.

Available on Amazon and Barnes & Noble

Review: Robert I. Sutton – Good Boss, Bad Boss (S)

Good Boss, Bad Boss
How to Be the Best… And Learn from the Worst
Robert I. Sutton

“If you are a boss who wants to do great work, what can you do about it? Good Boss, Bad Boss is devoted to answering that question. Stanford Professor Robert Sutton weaves together the best psychological and management research with compelling stories and cases to reveal the mindset and moves of the best (and worst) bosses. This book was inspired by the deluge of emails, research, phone calls, and conversations that Dr. Sutton experienced after publishing his blockbuster bestseller The No Asshole Rule. He realized that most of these stories and studies swirled around a central figure in every THE BOSS.”

The way the book is set up didn’t quite click with me. The chapters and sections felt a bit all over the place, and I couldn’t really see the clear connections between them. It’s like everything just melted together without any standout points. A bunch of it was things I’ve seen and heard a million times before – nothing groundbreaking, just common sense stuff. I guess if you’re new to this kind of thing, it’s a decent overview that gets you thinking, but it doesn’t dive deep into anything and tends to repeat itself here and there.

I also noticed some contradictions that made me scratch my head. My advice? Take what you like and leave the rest. There’s some humor in there, but I didn’t always catch the punchline.

It’s nice to see someone trying to make the whole work and management scene better with their examples and tips. They’re onto something when they say pretty much everyone can relate because we’ve all had a boss, have a boss, or are the boss. So, there’s some wisdom in there for sure. If you’re into business and leadership books or just want to up your boss game, “Good Boss, Bad Boss” is a solid stash of info that goes down easy and I recommend it for those getting into management. 3 stars.

Review: Kim Lock – The Three of Us

The Three of Us
Kim Lock

Elsie isn’t quite satisfied with the life of a 1960s housewife – there’s only so many times she can wash the sheets and try to make food from her Women’s Weekly cookbook. Her husband Thomas keeps himself busy at work, and Elsie is lonely enough to approach the quiet stranger next door. Aida is unmarried and confined to her house for the next nine months, determined to keep to herself.

I really enjoyed this novel because it portrays life as a polyamory thruple that isn’t just about having mind-blowing and random sex all the time! Instead, it delicately probes what it looks like to be in a committed relationship with more than two people. I was plesently surprised by the whole book.

I dealt with the multiple perspectives quite well, even if I didn’t quite ever connect with Thomas. Thomas has two women – which is something that most men would say they wanted – but he’s a perfect gentleman about the whole thing. The framing of the novel is a little odd, and to my mind unecessary. It was quite clear to me what would happen, the only surprise was the, well, if I told you, it wouldn’t be a surprise!

I had never read anything by Kim Lock, but maybe I should go and seek out a few more of her novels if they all have this beautiful relationship aspect. I was very impressed and surprised to find it from an Australian author. Although I used to hate Australian fiction for being dry and boring (like our weather!), newer authors are changing my mind. Amazing stuff.

Q&A with Clark Burbidge, author of “The Relic”

A Q&A with Clark Burbidge, author of The Relic

Today, Clark is taking readers back to where it all began with the launch of an updated, expanded edition of StarPassage Book One: The Relic (Morgan James Publishing), where two teenage siblings find themselves desperate for answers when a mysterious relic reveals its age-old secrets and power.

Join our heroes on a series of dangerous adventures to solve the relic’s riddles, save lives, escape the ever-increasing Tracker threat, and experience some of the most dreadful and exciting moments in history. Will they learn from the past–should they change it if they can? Is there any hope for survival?

The action-packed, non-stop odyssey of the StarPassage series not only entertains readers but shows them how to persevere and find hope through everyday challenges and life’s biggest storms as well as helps give them direction, purpose and a reason to become something more than they otherwise might have been.

What inspired you to create this series?

A silver star at the top of my son’s family Christmas tree a couple of years ago. It was a beautiful setting as they placed it at the top and I commented that there was a good story there somewhere. The idea kept bouncing around in my head and then combined with the difficulties we experienced when I was growing up with what I now have come to understand was my Father’s struggle with PTSD from his experiences in the Korean War. Within a month the story was well underway. I wanted people, especially children who struggle to feel there is real hope that they can overcome family challenges and personal challenges. This book provides such hope and encouragement I believe.

How would you describe the characters Tim and Martie?

Tim is a sturdy 6+ foot high school sophomore. He is athletic and intelligent but feels helpless in his current situation. He is doing his best to try to understand and be the adult in his little sister’s life but feels unequal to the task. Martie is a gymnast and hopelessly optimistic go-getter. She is in middle school and 3 years younger than Tim. She believes anything can be solved and is a total sucker for any time of adventure. You might say she is fearless although it is partly because she isn’t experienced enough in life to understand the risks and consequences that sometimes are present. She is worried about her parents and really is having trouble comprehending how their perfect family could so quickly have run into such deep trouble. She is at a loss how to go forward with her life.

How would you explain the family dynamic between Tim, Martie, and their parents? How does it evolve through the book?

They are a very close family who really care about each other. They have always worked and played and discovered as a team. Their togetherness has always defined their family. But they are in complete disarray as the book begins. This is the central quest of the book. How to bring the family back together. It involves helping their dad deal with his PTSD and their mom overcome her related depression both of which is pulling them in opposite directions so they are no longer a team but fighting alone as individuals. Their travels through history are the relic’s way to help them pull together and overcome. Will they do it? Does it work? You’ll have to read to get the answers…

What was the most rewarding moment you experienced in writing StarPassage: The Relic?

I write as if I am experiencing the story for the first time so I honestly don’t know how it will end up. So when I got to Christmas in the book and they had the strange visitor and then I discovered who was going to come to dinner and resolved how that would happen it was an incredible experience. Intertwining history with the lives of characters that feel so real and current was a tremendously rewarding experience.

What was the biggest challenge you faced in writing this book?

How to set the stage and provide the background for the current challenge in an interesting and dynamic way. The Fugitives Drift chapter was very important to that because it creates an exciting event in the middle of a story and it hooked me without letting me know how it fits in. I feel the background happens through several chapters now interspersed with excitement and adventure. That was very satisfying to discover how it worked together.

As an author who has written multiple books, how did the process of writing StarPassage: The Relic compare to your past work?

There was a lot more research involved. My last trilogy involved a completely fictional world and that had its own challenges of creating the mythology and setting. However, in StarPassage not only am I dealing with contemporary settings that have to be real, I am dealing with several separate real historical circumstances that require accuracy blended with literary license in a believable way. This involved research on many levels and it created a different challenge that I very much enjoyed.

What does your writing process look like?

I don’t really set an outline per se. I like to write as if I am experiencing the story as the characters do. This means I don’t know what I will discover when I round the bend. It makes it very exciting for me to write and I can hardly wait to get back to it. In a way it is like what I hope my readers experience when they put my book down, I hope they can’t wait to find out what’s next. This also keeps me from experiencing writer’s block.

How much research did you do for the book? What type of research did you do?

As mentioned above there was a lot of research from very different eras. It took me to George Washington’s diary’s, old ship designs and google maps of the southwest to unpublished personal family histories and interviews with veterans as well as a ton of reading of a wide variety of books to try to get every angle of the experiences of the Carson family right. The actual research was on and off for about 18 months time.

What drew you to the genre of young adult fantasy adventure?

I believe young adults and middle readers need exciting reading that also inspires and uplifts with strong well designed characters that can be identified with and respected. They are not superheroes but rather regular people that demonstrate the power each of us have within to bravely stand for what we believe, have hope and the faith that we are never alone. I believe my books can make a difference with young adults and help give them direction, purpose and a reason to become something more than they otherwise might have been.

What is the key to attracting young readers?

I believe they want to have a story that transports them to an adventure where the can find something of themselves in the characters and identify with the process and thereby absorb the lessons so they can apply them in their own life. It is not just about attracting, rather it is about holding attention with real stories that compel and inspire. Making them memorable and raising their expectations in life and their courage in stepping up to do hard things. I believe all young people are better off if they learn that they can accomplish hard things.

What has been one of your own greatest adventures?

By far my greatest adventure has been marrying my wife Leah which created a blended family of 10 children overnight. It has been wonderful and full of unexpected twists and turns almost daily. This wild ride of course continues. We have overcome great challenges along the way and have much still to accomplish but it has been something we have done together and we both cherish every day, every challenge and every joy. Oh and by the way…they just keep on coming…

When did your interest in writing begin?

I have always been a story teller and have written some in the past. However, in 2010 I was out of work and trying to find a job. I had some stories that I had always wanted to put to paper so I did. Then I decided that I wanted to see if I could get published and actually have strangers like my stories. One thing led to another and I have found it very rewarding and satisfying every step of the way.

Which writers inspired you as a kid? Which writers inspire you today?

As a kid I read a lot of Isaac Asimov and Ray Bradbury (Sci-Fi). In my 20’s and 30’s I enjoyed more of Tolkien and CS Lewis as well as history and historical fiction. Nowadays I am always reading a couple of books trying to appreciate good writing styles and discovering interesting parts of history.

Was your family involved in your writing process? To what extent?

They acted as readers and provided some helpful feedback on flow and interest levels and hooks. Also they have acted as models for some of the art in my books. However in StarPassage they were the inspiration for the relic and the concept of PTSD which were very central to the story. My wife and I are currently writing a book together and it has been tremendously satisfying and fun to share that experience.

What does your family say about your books?

They like them and probably are way too easy judges. I must say though by the time one is published they get a little tired of hearing the scraps of story and doing read throughs and having ideas bounced off them and hearing me up at 2 in the morning because I had a new idea and I had to record it right then.

In what ways do you hope readers are inspired by StarPassage: The Relic?

I have kind of addressed it but I hope it will inspire them to have confidence that they can overcome any difficulty and that they will never be alone in doing so. They have a Father in Heaven who cares, is involved and is always there for them in both spiritual and real, practical ways.

About the book

Two teenage siblings find themselves desperate for answers when a mysterious relic reveals its age-old secrets and power.

Tim and Martie Carson are the only ones who can save their family from a downward spiral fueled by their parent’s struggles with PTSD and depression. When they realize that an ancient relic discovered under mysterious circumstances holds the key to unlocking answers hidden in the past, the siblings embark on a race against time to learn the relic’s secrets while avoiding the Trackers, sinister shadowy figures doomed to haunt history and drawn to possess the relic for their own evil purposes.

Travel through history with the Carson family as they struggle to understand the relic’s secrets. In their race against time can they decipher the clues and piece together the puzzle containing the answers they desperately seek? Or will they be trapped forever by the evil forces relentlessly pursuing them?

Interview with Martin Knight, author of ‘Justice Killer’

An interview with Martin Knight, author of ‘Justice Killer’

Martin Knight is the Sunday Times best-selling biographer of several ’60s and ’70s superstar footballers, including George Best and Peter Osgood. He also ghosted the memoirs of Gypsy Joe Smith, the bare-knuckle boxer turned pro golfer, which was selected as Observer “Sports Book of the Year”. Martin also wrote Justice For Joan about an unsolved 1948 murder and an autobiography of the founder member of the Bay City Rollers pop band among many other books. Martin had a long career in the media monitoring industry and is co-owner of niche publisher London Books. He is married with five children and lives in Surrey.

Who is your favourite dragon in literature?

I have to confess I cannot bring to mind any actual dragons in books I have read. I guess they would have been in childhood and now distant memories. I did gobble up the C.S. Lewis books and I think a dragon or two figured there. However, I was greatly impacted by the film Enter The Dragon back in the mid-1970s about the time I left school. It was a vehicle for martial arts supremo Bruce Lee and I assume he was the “dragon” of the title. Hero worship of Bruce spread like a wildfire among teenage boys of the era. Kung Fu Fighting a song by Carl Douglas was top of the pop charts and kids couldn’t engage with each other without spinning around and jump kicking the air above the other boy’s head. I remember vividly seeing the film and leaving the cinema full of adrenaline after. When my bus pulled up and the doors opened I leapt on emitting a high-pitched war cry like Bruce and raised my hands karate style. The driver looked at me and unflustered said: “Where to, mate?”

I’m not going to be reviewing your newest novel, but from your other published novels, is there one that is your own personal favourite? 

My favourite previous novel is Battersea Girl written some twenty years ago. It was a lightly fictionalised account of my grandmother’s 100 year life. She was born in the year Jack The Ripper committed his murders and endured two world wars and grinding poverty. Her first husband perished in the so-called Great War. Her sister and niece were killed in the second world war bombardment of London. While I tried to stick to the broad facts and the characters were real people, of course, I had to imagine conversations, feelings and some events. Much of the content was based on stories told to me by my Grandma in the last years of her long life. I was comforted to discover as the years went by and ancestry web sites burgeoned that most of those stories – some incredible – could be confirmed.

Everyone has a ‘first novel’, even if many of them are a rough draft relegated to the bottom and back of your desk drawer (or your external harddrive!). Have you been able to reshape yours, or have you abandoned it for good?

My first novel was probably Justice Killer which is my latest novel just being released. It started off when I put pen to paper twenty or more years ago about a real-life local murder that happened by my school, while I was there in the 1970s. A young milkman, whose siblings were in school with me, was shot dead in the course of an armed robbery. The execution had a big impact on me and was a big part of the curtains drawing on my childhood. It was a truly shocking affair. The Man From Uncle or The Avengers it was not.  I didn’t know where to go with it and the development of the book got regularly parked as different projects came my way. Then the notion of an ordinary man who felt he didn’t have much to live for seeking justice for victims of crime and finding purpose again formed in my mind and Justice Killer started to motor forward. The premise of an everyday person with no previous disposition to violence drifting into serial murder fascinated me.

Over the years, what would you say has improved significantly in your writing?

I would hope my writing has acquired some wisdom and insight that comes with age. But that has to be balanced against perhaps more energy and passion in the earlier writing.

Some authors are able to pump out a novel a year and still be filled with inspiration. Is this the case for you, or do you like to let an idea percolate for a couple of years in order to get a beautiful novel?

Most of my books have been non-fiction so a novel every seven years is more applicable. I’d love to write a novel a year, especially as at my age (65) I am becoming increasingly reminded that you cannot take the years for granted. I am often referred to as a “ghost writer” which is a term I dislike. I was in the offices of a large publisher one day when I was writing the autobiography of footballing legend George Best and a publishing executive welcomed me to his office by saying “Are you the ghost?” It stripped away any creative illusions I had about myself and suggested I was just a cog in a publishing machine. Which, of course, I was.

I have heard of writers that could only write in one place – then that cafe closed down and they could no longer write! Where do you find yourself writing most often, and on what medium (pen/paper or digital)?

I write in Microsoft Word on a PC. I write mainly at home in outer London and am lucky enough to have requisitioned a room as my study. However, being a busy family hub my day is subject to regular interruptions, so when I really need solitude to bash out words in big numbers I visit a cottage in the countryside where I can get up to 5,000 words a day if my writing juices are really flowing and I can go for salubrious, bracing walks to empty my head when I need to.

Before going on to hire an editor, most authors use beta-readers. How do you recruit your beta-readers, and choose an editor? Are you lucky enough to have loving family members who can read and comment on your novel?

I occasionally have the benefit of a trained editor when one of my books is being published by the big companies but mostly my friend John King will review and provide honest feedback. He is a very successful novelist and I do the same for him. It works well. I used to try and read my books as they formed to my wife and children but when I looked up and saw them buried in their smart phones or their eyes glazing over, I gave up.

I walk past bookshops and am drawn in by the smell of the books – ebooks simply don’t have the same attraction for me. Does this happen to you, and do you have a favourite bookshop? Or perhaps you are an e-reader fan… where do you source most of your material from?

I love bookshops. They are sanctuaries of peace and contentment in an urgent, frantic and often scary world. When in central London I like to visit Foyles which is a palace of books. My parents were both librarians in public libraries and met in one. Books are in my DNA. Before I was ten I was reading three or four books a day and had by then had exhausted the canons of Charles Dickens, Sir Arthur Conan Doyle, Denis Wheatley and had moved on to the gritty working class novels of Alan Sillitoe. I don’t like ebooks as much as physical books and rarely read one online. The smell, look and feel of books is a pleasure I won’t lose but sadly the next generation/s will not have that attachment.

I used to find myself buying books in only one genre (fantasy) before I started writing this blog. What is your favourite genre, and have your tastes changed over time?

I started by only reading novels but after working through almost every established/famous writer in wide circulation in the 1960s and 1970s I moved into non-fiction and especially true crime. In my twenties and thirties I became almost snobbish about fiction taking the view why waste time reading about made up things when there is so much true material out there. When I reached my forties I rediscovered my love of fiction and now I’m in place where I read 50% non-fiction, 50% fiction.

Social media is a big thing, much to my disgust! I never have enough time myself to do what I feel is a good job. What do you do?

I have mixed feelings about social media and technology generally. I resent my mobile phone. I resent the fact that people expect you to answer immediately. I remember when we had a telephone at home (eventually) as a kid when the phone rang in the hall (never in the sitting room) we would decide whether to answer it or not. If we were watching a good programme on the television we ignored it. Technology and phones have gone from being servant to master in a few decades. I have dabbled in social media but again have mixed feelings. I dropped Facebook early on – just didn’t like it. The whole concept of collecting friends or being collected turned me off. Never did Instagram but I have embraced Twitter. You do get some sensible debate on there and it gives you alternatives to a homogenous news media. I have been on ten years now and do promote my books there. It helps.  I spend too much time on Twitter and am consciously trying to reduce on line time. Probably spend 2 hours a day, which is too much.

Answering interview questions can often take a long time! Tell me, are you ever tempted to recycle your answers from one to the next? 

Inevitably sometimes you asked the same question and then you will be repeating yourself but as a rule, no. Your questions have been different from many of the stock ones I get asked which is nice. Thank you.

About Justice Killer

Not a whodunnit but a hedunnit, told from the perspective of its central character, Justice Killer marks the crime fiction debut of the best-selling biographer of George Best and other cultural icons. It takes you inside the mind of an ordinary man who finds an extraordinary new purpose after the death of his beloved wife. Disgusted by the injustice of the world, he strives to bring justice to his small corner of England. A murderer and an elderly former child abuser, both of whom think they’ve got away with their crimes, soon find themselves in his crosshairs…

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